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Oscar and Lucinda Poster

Oscar and Lucinda

They dared to play the game of love, faith, and chance.
1997 | 132m | English

(7390 votes)

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Popularity: 3 (history)

Details

After a childhood of abuse by his evangelistic father, misfit Oscar Hopkins becomes an Anglican minister and develops a divine obsession with gambling. Lucinda Leplastrier is a rich Australian heiress shopping in London for materials for her newly acquired glass factory back home. Deciding to travel to Australia as a missionary, Oscar meets Lucinda aboard ship, and a mutual obsession blossoms. They make a wager that will alter each of their destinies.
Release Date: Dec 31, 1997
Director: Gillian Armstrong
Writer: Laura Jones, Peter Carey
Genres: Drama, Romance
Keywords gambling, based on novel or book, minister, sydney, australia, australia, oxford, inheritance, wager, heiress, woman director, glass, 19th century, gambling addiction, anglican priest
Production Companies Fox Searchlight Pictures, Australian Film Finance Corporation, Dalton Films
Box Office Revenue: $1,897,404
Budget: $16,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 14, 2024
Trailers and Extras

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Full Credits

Name Character
Ralph Fiennes Oscar Hopkins
Cate Blanchett Lucinda Leplastrier
Ciarán Hinds Reverend Dennis Hasset
Tom Wilkinson Hugh Stratton
Richard Roxburgh Mr. Jeffries
Christian Manon Mr. Tomasetti
Clive Russell Theophilus
Barnaby Kay Wardley-Fish
Linda Bassett Betty Stratton
Geoffrey Rush Narrator (voice)
Basil Clarke Elderly Parishoner
Andrea Moor Miss Shaddock
Bille Brown Percy Smith
Josephine Byrnes Miriam Chadwick
Barry Otto Jimmy D'Abbs
Polly Cheshire Young Lucinda
Gillian Jones Elizabeth Leplastrier
Robert Menzies Abel Leplastrier
Adam Hayes Young Oscar
Matyelok Gibbs Mrs. Williams
Sonia Ritter Fanny Drabble
Will Barton College Student
Jonathan Markwood College Student
Nicholas Tennant College Student
Sam Newman George Loxwood
Nicholas Fordham College Student
Peter Whitford Mr. Ahearn
Lynette Curran Mrs. Ahearn
Ron Blanchard Steamer Captain
Colin Taylor Frazer
Michelle Doake Hotel Maid
Karen Vickery Society Gossip
Elspeth MacTavish Society Gossip
Leverne McDonnell Miss Malcolm
Geoff Morrell Charley Fig
Douglas Hedge Dog Pit Caller
Tobias Saunders Belgian Boy
Marianne Borgo Belgian Grandmother
Vanessa Seydoux Belgian Mother
Leslie Dayman Glassworks Foreman
Name Job
Alison Barrett Casting
Laura Jones Screenplay
Nicholas Beauman Editor
Luciana Arrighi Production Design
Janet Patterson Costume Design
Geoffrey Simpson Director of Photography
Sally Eccleston Focus Puller
Ian Bird Best Boy Grip
Ray Brown Key Grip
Martin Fargher Grip
Bede Haines Clapper Loader
Aron Walker Grip
Steve Wells Grip
Graeme Crowther Stunt Coordinator
Tom Nursey Art Direction
John Wingrove Art Direction
Sally Campbell Set Decoration
John Ralph Art Direction
Peter Owen Hairstylist
Kirsten Veysey Makeup Artist
Cheryl Williams Hair Supervisor
Gethin Creagh Sound Re-Recording Mixer
Terry Isted ADR Mixer
Rick Lisle ADR Recordist
Wayne Pashley Dialogue Editor
Jane Paterson Sound Effects Editor
Ted Swanscott ADR Mixer
John Simpson Foley Artist
Andrew Plain Sound Designer
Kathleen Mackie Higgins Casting
Jane Johnston Costume Supervisor
Gillian Armstrong Director
Thomas Newman Original Music Composer
Peter Carey Novel
Victoria Mielewska Dialogue Coach
Douglas 'Rocky' McDonald Stunt Coordinator
Paul Ghirardani Art Direction
Ben Osmo Sound Recordist
Name Title
Robin Dalton Producer
Mark Turnball Associate Producer
Timothy White Producer
Organization Category Person
Popularity Metrics

Popularity History


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2024 5 12 20 7
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2025 10 3 4 2

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Reviews

Geronimo1967
6.0

This is a wonderfully good looking film with two strong performances from Ralph Fiennes ("Hopkins") and Cate Blanchett ("Lucinda"). The former is a bit of a loner being raised by his rather puritanical Pentecostal father. He absconds into the care of Anglican "Stratton" (Tom Wilkinson) who arranges ... for him to obtain an university education. Thing is, this brightly red haired lad doesn't really fit in, and is soon far more focussed on his rather effective system of gambling. Meantime, the latter, an Australian, has inherited a substantial fortune and invested it in a glass making factory (glass still being a bit of a luxury in 1850s Australia). When the two meet on a boat they realise that their isolation from society at large (and their fondness for a turn at the cards) gives them plenty in common and their relationship burgeons. When the two come up with a fairly outrageous wager between them - that they can build a church entirely of glass and ship it up-country to the remote town inhabited by preacher "Hassett" (Ciarán Hinds) the adventure elements hot up a little. The problem for me here, is that though the film looks lovely - and plenty of attention to detail has been payed to the costumes and general aesthetic, the story is really pretty weak. It tries to tackle issues of lonesomeness, religious bigotry and of the somewhat un-emancipated role of women in both Britain and Australia at the time, but somehow the thing never quite catches fire. It is paced very gently, and there are just too many characters to try to keep track of - the focus meanders a little too much, and the ending didn't make too much sense to me. I did quite enjoy watching it, and Blanchett is on good form - but I don't know that I would bother again.

Aug 27, 2023