Popularity: 3 (history)
| Director: | Gillian Armstrong |
|---|---|
| Writer: | Laura Jones, Peter Carey |
| Staring: |
| After a childhood of abuse by his evangelistic father, misfit Oscar Hopkins becomes an Anglican minister and develops a divine obsession with gambling. Lucinda Leplastrier is a rich Australian heiress shopping in London for materials for her newly acquired glass factory back home. Deciding to travel to Australia as a missionary, Oscar meets Lucinda aboard ship, and a mutual obsession blossoms. They make a wager that will alter each of their destinies. | |
| Release Date: | Dec 31, 1997 |
|---|---|
| Director: | Gillian Armstrong |
| Writer: | Laura Jones, Peter Carey |
| Genres: | Drama, Romance |
| Keywords | gambling, based on novel or book, minister, sydney, australia, australia, oxford, inheritance, wager, heiress, woman director, glass, 19th century, gambling addiction, anglican priest |
| Production Companies | Fox Searchlight Pictures, Australian Film Finance Corporation, Dalton Films |
| Box Office |
Revenue: $1,897,404
Budget: $16,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 14, 2024 |
| Name | Character |
|---|---|
| Ralph Fiennes | Oscar Hopkins |
| Cate Blanchett | Lucinda Leplastrier |
| Ciarán Hinds | Reverend Dennis Hasset |
| Tom Wilkinson | Hugh Stratton |
| Richard Roxburgh | Mr. Jeffries |
| Christian Manon | Mr. Tomasetti |
| Clive Russell | Theophilus |
| Barnaby Kay | Wardley-Fish |
| Linda Bassett | Betty Stratton |
| Geoffrey Rush | Narrator (voice) |
| Basil Clarke | Elderly Parishoner |
| Andrea Moor | Miss Shaddock |
| Bille Brown | Percy Smith |
| Josephine Byrnes | Miriam Chadwick |
| Barry Otto | Jimmy D'Abbs |
| Polly Cheshire | Young Lucinda |
| Gillian Jones | Elizabeth Leplastrier |
| Robert Menzies | Abel Leplastrier |
| Adam Hayes | Young Oscar |
| Matyelok Gibbs | Mrs. Williams |
| Sonia Ritter | Fanny Drabble |
| Will Barton | College Student |
| Jonathan Markwood | College Student |
| Nicholas Tennant | College Student |
| Sam Newman | George Loxwood |
| Nicholas Fordham | College Student |
| Peter Whitford | Mr. Ahearn |
| Lynette Curran | Mrs. Ahearn |
| Ron Blanchard | Steamer Captain |
| Colin Taylor | Frazer |
| Michelle Doake | Hotel Maid |
| Karen Vickery | Society Gossip |
| Elspeth MacTavish | Society Gossip |
| Leverne McDonnell | Miss Malcolm |
| Geoff Morrell | Charley Fig |
| Douglas Hedge | Dog Pit Caller |
| Tobias Saunders | Belgian Boy |
| Marianne Borgo | Belgian Grandmother |
| Vanessa Seydoux | Belgian Mother |
| Leslie Dayman | Glassworks Foreman |
| Name | Job |
|---|---|
| Alison Barrett | Casting |
| Laura Jones | Screenplay |
| Nicholas Beauman | Editor |
| Luciana Arrighi | Production Design |
| Janet Patterson | Costume Design |
| Geoffrey Simpson | Director of Photography |
| Sally Eccleston | Focus Puller |
| Ian Bird | Best Boy Grip |
| Ray Brown | Key Grip |
| Martin Fargher | Grip |
| Bede Haines | Clapper Loader |
| Aron Walker | Grip |
| Steve Wells | Grip |
| Graeme Crowther | Stunt Coordinator |
| Tom Nursey | Art Direction |
| John Wingrove | Art Direction |
| Sally Campbell | Set Decoration |
| John Ralph | Art Direction |
| Peter Owen | Hairstylist |
| Kirsten Veysey | Makeup Artist |
| Cheryl Williams | Hair Supervisor |
| Gethin Creagh | Sound Re-Recording Mixer |
| Terry Isted | ADR Mixer |
| Rick Lisle | ADR Recordist |
| Wayne Pashley | Dialogue Editor |
| Jane Paterson | Sound Effects Editor |
| Ted Swanscott | ADR Mixer |
| John Simpson | Foley Artist |
| Andrew Plain | Sound Designer |
| Kathleen Mackie Higgins | Casting |
| Jane Johnston | Costume Supervisor |
| Gillian Armstrong | Director |
| Thomas Newman | Original Music Composer |
| Peter Carey | Novel |
| Victoria Mielewska | Dialogue Coach |
| Douglas 'Rocky' McDonald | Stunt Coordinator |
| Paul Ghirardani | Art Direction |
| Ben Osmo | Sound Recordist |
| Name | Title |
|---|---|
| Robin Dalton | Producer |
| Mark Turnball | Associate Producer |
| Timothy White | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 10 | 17 | 5 |
| 2024 | 5 | 12 | 20 | 7 |
| 2024 | 6 | 9 | 13 | 5 |
| 2024 | 7 | 10 | 25 | 4 |
| 2024 | 8 | 8 | 15 | 5 |
| 2024 | 9 | 7 | 12 | 4 |
| 2024 | 10 | 7 | 13 | 3 |
| 2024 | 11 | 7 | 10 | 5 |
| 2024 | 12 | 7 | 10 | 4 |
| 2025 | 1 | 7 | 14 | 4 |
| 2025 | 2 | 6 | 10 | 2 |
| 2025 | 3 | 5 | 8 | 1 |
| 2025 | 4 | 3 | 5 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
This is a wonderfully good looking film with two strong performances from Ralph Fiennes ("Hopkins") and Cate Blanchett ("Lucinda"). The former is a bit of a loner being raised by his rather puritanical Pentecostal father. He absconds into the care of Anglican "Stratton" (Tom Wilkinson) who arranges ... for him to obtain an university education. Thing is, this brightly red haired lad doesn't really fit in, and is soon far more focussed on his rather effective system of gambling. Meantime, the latter, an Australian, has inherited a substantial fortune and invested it in a glass making factory (glass still being a bit of a luxury in 1850s Australia). When the two meet on a boat they realise that their isolation from society at large (and their fondness for a turn at the cards) gives them plenty in common and their relationship burgeons. When the two come up with a fairly outrageous wager between them - that they can build a church entirely of glass and ship it up-country to the remote town inhabited by preacher "Hassett" (Ciarán Hinds) the adventure elements hot up a little. The problem for me here, is that though the film looks lovely - and plenty of attention to detail has been payed to the costumes and general aesthetic, the story is really pretty weak. It tries to tackle issues of lonesomeness, religious bigotry and of the somewhat un-emancipated role of women in both Britain and Australia at the time, but somehow the thing never quite catches fire. It is paced very gently, and there are just too many characters to try to keep track of - the focus meanders a little too much, and the ending didn't make too much sense to me. I did quite enjoy watching it, and Blanchett is on good form - but I don't know that I would bother again.