 
  Popularity: 2 (history)
| Director: | Mitchell Leisen | 
|---|---|
| Writer: | Mitchell Leisen, Cornell Woolrich, Sally Benson, Catherine Turney | 
| Staring: | 
| A penniless pregnant woman adopts the identity of a rich woman killed in a train crash. | |
| Release Date: | Feb 21, 1950 | 
|---|---|
| Director: | Mitchell Leisen | 
| Writer: | Mitchell Leisen, Cornell Woolrich, Sally Benson, Catherine Turney | 
| Genres: | Drama, Crime, Thriller | 
| Keywords | blackmail, film noir, train crash, stolen identity, unmarried mother, christmas, jilted woman, domestic, melodrama | 
| Production Companies | Paramount Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Barbara Stanwyck | Helen Ferguson | 
| John Lund | Bill Harkness | 
| Jane Cowl | Mrs. Harkness | 
| Phyllis Thaxter | Patrice Harkness | 
| Lyle Bettger | Stephen Morley | 
| Henry O'Neill | Mr. Harkness | 
| Richard Denning | Hugh Harkness | 
| Carole Mathews | Blonde | 
| Esther Dale | Josie | 
| Milburn Stone | Plainclothesman | 
| Griff Barnett | Dr. Parker | 
| Harry Antrim | Ty Winthrop | 
| Catherine Craig | Rosalie Baker | 
| Jean Andren | Louise Russell (uncredited) | 
| Georgia Backus | Nurse (uncredited) | 
| Virginia Brissac | Justice of the Peace's Wife (uncredited) | 
| Ivan Browning | Porter (uncredited) | 
| Ashley Cowan | Justice of the Peace's Son | 
| Charles Dayton | Friend of family (uncredited) | 
| Jimmie Dundee | Patrolman (uncredited) | 
| Franklyn Farnum | Train Passenger (uncredited) | 
| Kathleen Freeman | Clara Larrimore (uncredited) | 
| Bess Flowers | Country Club Patron (uncredited) | 
| Sumner Getchell | John Larrimore (uncredited) | 
| William Haade | Cop (uncredited) | 
| Sam Harris | Country Club Patron (uncredited) | 
| Thomas Browne Henry | Doctor in hospital (uncredited) | 
| Edna Holland | Nurse (uncredited) | 
| Esther Howard | Frowsy Woman in boardinghouse (uncredited) | 
| Selmer Jackson | Minister (uncredited) | 
| Stan Johnson | Policeman (uncredited) | 
| Richard Keene | Clerk (uncredited) | 
| Frank Marlowe | Cab Driver (uncredited) | 
| John Michaels | Delivery Boy (uncredited) | 
| Helen Mowery | Harriet Olsen (uncredited) | 
| Forbes Murray | Train Passenger (uncredited) | 
| Gordon Nelson | Justice of the Peace (uncredited) | 
| Barry Norton | Country Club Patron (uncredited) | 
| Steve Pendleton | Policeman (uncredited) | 
| Jack Reynolds | Country Club Patron (uncredited) | 
| Kasey Rogers | Friend of family (uncredited) | 
| Jean Ruth | Nurse (uncredited) | 
| Jeffrey Sayre | Country Club Patron (uncredited) | 
| Emmett Smith | Red Cap (uncredited) | 
| Bert Stevens | Train Passenger (uncredited) | 
| Phil Tully | Patrolcar policeman (uncredited) | 
| Ray Walker | Plainsclothesman (uncredited) | 
| Willard Waterman | Jack Olsen (uncredited) | 
| Dave Willock | Jimmy Baker (uncredited) | 
| Dooley Wilson | Waiter on Train (uncredited) | 
| Name | Job | 
|---|---|
| Earl Crowell | Gaffer | 
| John R. Coonan | Assistant Director | 
| Frances Dawson | Dialogue Coach | 
| Claire Behnke | Script Supervisor | 
| Erwin Newmeyer | Grip | 
| Alma Macrorie | Editor | 
| Hans Dreier | Art Direction | 
| Ray Moyer | Set Decoration | 
| Dean Cole | Hairstylist | 
| Robert Ewing | Makeup Artist | 
| Gordon Jennings | Special Effects | 
| Farciot Edouart | Visual Effects | 
| Don McKay | Sound Recordist | 
| Gene Garvin | Sound Recordist | 
| Mitchell Leisen | Writer, Director | 
| Cornell Woolrich | Novel | 
| Hugo Friedhofer | Original Music Composer | 
| Daniel L. Fapp | Director of Photography | 
| Edith Head | Costume Design | 
| Sally Benson | Screenplay | 
| Catherine Turney | Screenplay | 
| Henry Bumstead | Art Direction | 
| Sam Comer | Set Decoration | 
| Wally Westmore | Makeup Supervisor | 
| Name | Title | 
|---|---|
| Richard Maibaum | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 7 | 11 | 4 | 
| 2024 | 5 | 8 | 11 | 3 | 
| 2024 | 6 | 7 | 16 | 3 | 
| 2024 | 7 | 7 | 22 | 2 | 
| 2024 | 8 | 6 | 11 | 3 | 
| 2024 | 9 | 5 | 8 | 2 | 
| 2024 | 10 | 5 | 9 | 2 | 
| 2024 | 11 | 5 | 18 | 2 | 
| 2024 | 12 | 4 | 6 | 2 | 
| 2025 | 1 | 5 | 9 | 2 | 
| 2025 | 2 | 3 | 6 | 1 | 
| 2025 | 3 | 2 | 4 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 0 | 0 | 0 | 
| 2025 | 10 | 1 | 2 | 0 | 
Trending Position
Identity it's a crisis can't you see! No Man of Her Own is directed by Mitchell Leisen and adapted to screenplay by Sally Benson and Catherine Turney from the novel "I Married a Dead Man" written by William Irish (Cornell Woolrich. It stars Barbara Stanwyck, John Lund, Jane Cowl, Henry O'Neill, P ... hyllis Thaxter, Richard Denning and Lyle Bettger. Callously jilted by the man who has made her pregnant, Helen Ferguson (Stanwyck) survives a train crash and is mistaken for another woman, Patrice Harkness (Thaxter), who was killed in the crash. The woman, who she had befriended on the train, was also pregnant and recently married to a man who also died in the crash (Denning as Hugh Harkness). The rich Harkness in-laws, having never met Patrice, take who they think is Patrice into their home and even though Helen is tormented by her deceit, she spies an opportunity to give her child a grand life. But will she be found out? Will her past come to light with dire consequences?. Film noir styles meets melodramatic verve in what is still a riveting picture, even if the implausibility of it all is hard to swallow. Stanwyck gives it the whole shebang, carrying the film on her shoulders as she hits all the right emotive beats of a double characterisation that brings guilt, shame and conflict of interests. Lund is sadly bland as the Harkness sibling love interest, but the rest of the cast do sterling work, notably Cowl as the Harkness patriarch. Cowl would pass away the year of the film's release. From a film noir perspective it's disappointing that the filmic finale is different to that of Woolrich's novel. However, the story of a destitute unmarried woman thrown a bone by the vagaries of fate is in true noir fashions - as is the turn of events when things go dark in the last third as the past comes knocking at the door of settled bliss in the form of Bettger's oily Stephen Morley. A love story, a survivalist story, one of blackmail, deceit and murder, lots going on in a hugely enjoyable entertainment. 8/10