Popularity: 3 (history)
| Director: | Rowdy Herrington |
|---|---|
| Writer: | Rowdy Herrington |
| Staring: |
| A young doctor is suspected when a series of Jack the Ripper copycat killings is committed. However, when the doctor himself is murdered, his identical twin brother claims to have seen visions of the true killer. | |
| Release Date: | May 06, 1988 |
|---|---|
| Director: | Rowdy Herrington |
| Writer: | Rowdy Herrington |
| Genres: | Horror, Crime, Mystery, Thriller |
| Keywords | hypnosis, scalpel, dual role |
| Production Companies | Cinema Group, Palisades Entertainment |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| James Spader | John Allen Wesford / Richard Wesford |
| Cynthia Gibb | Christina "Chris" Moscari |
| Jim Haynie | Sgt. Gabriel |
| Robert Picardo | Dr. Carlos Battera |
| Rod Loomis | Dr. Sidney Tannerson |
| Rex Ryon | Jack Pendler |
| Chris Mulkey | Scott Morofsky |
| John Wesley | Sam Hillard |
| Bobby Hosea | Tom Dellerton |
| Danitza Kingsley | Denise Johnson |
| Anne Betancourt | Mary |
| Kevin Glover | Neil Finchley |
| Cassian Elwes | Pimp #1 |
| Kathryn O'Reilly | Hooker |
| Wendell Wright | Capt. Walter Prentis |
| Diane Erickson | Andrea Banks |
| Sis Greenspon | Martha |
| Graham Timbes | Surgeon |
| Mario Machado | Anchorman |
| Paul Du Pratt | Collin Marsh |
| Rana Ford | Emily Miller |
| Daniela Petr | Sister |
| Shawne Rowe | Helen |
| John Harrison | Chooch |
| Spencer Clarke | Pimp #2 |
| Pola Del Mar | Mrs. Battera |
| Brian Bender | Fatman |
| Richard Parker | Reporter |
| Cindy Guyer | Neighbor |
| Frances Fleming | 911 Operator |
| Name | Job |
|---|---|
| Mary McLaglen | Production Manager |
| Rowdy Herrington | Writer, Director |
| Danny Di Paola | Music |
| Harry B. Miller III | Sound Supervisor, Editor |
| Piers Plowden | Production Design |
| Kimba Hills | Casting |
| Ellen Rauch | First Assistant Director |
| Richard W. Abramitis | Second Assistant Director |
| Susie DeSanto | Costume Designer |
| Laura Greenlee | Production Coordinator |
| Don Devine | Camera Operator |
| Phill Lee | First Assistant Camera |
| Susan Pollack | Second Assistant Camera |
| Michael Bolner | Gaffer |
| Rick Herrington | Best Boy Electric |
| Richard Ricci | Electrician |
| Charles A. Severson | Electrician |
| Marlin Hall | Key Grip |
| Rodney Veto | Best Boy Grip |
| Robin Semple | Grip |
| Robert J. Anderson Jr. | Sound Mixer |
| John Hays | Boom Operator |
| Deborah Evans | Set Decoration |
| Phoebe Schmidt | Assistant Set Decoration |
| Vickey Kheel | Art Department Coordinator |
| Michael Gastaldo | Property Master |
| William Small | Assistant Property Master |
| Cynthia Engler | Script Supervisor |
| Yvonne Cervantes | Costumer |
| Karoly Balazs | Key Hair Stylist, Key Makeup Artist |
| Barbara Wolfe | Key Hair Stylist, Key Makeup Artist |
| Julie Mauger | Hairstylist |
| John Naulin | Special Effects Makeup Artist |
| Barry Rubinow | Sound Supervisor, Associate Editor |
| Folmer Wiesinger | Assistant Editor |
| David A. Fechtor | Sound Editor |
| Mark Herman | Sound Editor |
| Gregory Sanders | Sound Editor |
| Lorraine Salk | Sound Editor |
| Brian Van Beek | Assistant Sound Editor |
| Jeffrey J. Haboush | Sound Mixer |
| Greg P. Russell | Sound Mixer |
| Steve Hirsen | Second Unit Director |
| Jerry Spicer | Stunt Coordinator |
| Keith Gorman | Still Photographer |
| Shawne Rowe | Casting Assistant |
| Spencer Clarke | Location Manager |
| Richard Rollison | Transportation Coordinator |
| Jamie Reeves | Transportation Captain |
| Alan Meyers | Transportation Captain |
| Jeff Jensen | Stunts |
| Sandy J. Leavenworth | Stunts |
| John Moio | Stunts |
| Scott Hass | Stunts |
| Shelly Johnson | Director of Photography |
| Nick Goodman | Leadman |
| Kimberly Bailey | Craft Service |
| Tom Morga | Stunts |
| Eddie Braun | Stunts |
| Al Wyatt Sr. | Stunts |
| Neil Summers | Stunts |
| J.P. Romano | Stunts |
| Name | Title |
|---|---|
| Cassian Elwes | Producer |
| Tim Moore | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 9 | 12 | 5 |
| 2024 | 5 | 10 | 22 | 6 |
| 2024 | 6 | 8 | 14 | 5 |
| 2024 | 7 | 11 | 22 | 6 |
| 2024 | 8 | 8 | 18 | 4 |
| 2024 | 9 | 6 | 9 | 4 |
| 2024 | 10 | 8 | 14 | 4 |
| 2024 | 11 | 7 | 17 | 3 |
| 2024 | 12 | 7 | 12 | 4 |
| 2025 | 1 | 7 | 12 | 4 |
| 2025 | 2 | 6 | 8 | 2 |
| 2025 | 3 | 3 | 6 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
**_Some highlights, but contrived writing, misleading title, dubious casting and TV-budget feel_** One hundred years after the infamous Whitechapel murders, a copycat killer manifests in Los Angeles. After five duplicate slayings, the police are (mis)led to believe that the murderer committed sui ... cide. If not, the culprit is still on the loose! Being that "Jack’s Back” (1988) is about the second coming of Jack the Ripper, I expected a gory, sleazy slasher along the lines of "Edge of Sanity" (1989), but this is more akin to "I, Madman" (1989) mixed with “The Night Stalker” (1972), just inferior to both. It was one of James Spader’s first starring roles and he does a fine job while winsome Cynthia Gibb is another positive on the female front. Unfortunately, something turned me off. For one, the character played by Rex Ryon comes across as a NFL linebacker as opposed to a young doctor, which is bad casting. Then there’s the jarring twist at the half hour mark and the hackneyed identical twin trope. Why Sure! It doesn’t help that very little of the flick FEELS like Jack the Ripper in the modern day, as was the case with “Edge of Sanity” or the more recent “Maniac” (2012). This was the writer/director’s first film, which might explain the deficiencies. He intended for it to be titled “Red Rain” with the use of Peter Gabriel’s song for the opening credits, but the miniscule budget wouldn’t allow for the licensing. While I was surprisingly disappointed, Siskel & Ebert gave it a fairly enthusiastic “thumbs-up.” So, if anything I said trips your trigger, give it a shot. You might like it. As far as I’m concerned, there’s good reason for its obscurity. The film runs 1 hour, 37 minutes, and was shot in Los Angeles. GRADE: C/C-