 
  Popularity: 1 (history)
| Director: | Wesley Ruggles | 
|---|---|
| Writer: | Howard Estabrook, Edna Ferber | 
| Staring: | 
| When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right. | |
| Release Date: | Jan 26, 1931 | 
|---|---|
| Director: | Wesley Ruggles | 
| Writer: | Howard Estabrook, Edna Ferber | 
| Genres: | Drama, History, Western | 
| Keywords | gunslinger, newspaper, indian territory, oklahoma, family history, frontier, black and white, newspaper editor, pre-code, land grab, oil rig , land rush, marksmanship, drilling for oil, land grant, osage indian, defense lawyer, american history, 1890s | 
| Production Companies | RKO Radio Pictures | 
| Box Office | Revenue: $1,383,000 Budget: $1,433,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Richard Dix | Yancey Cravat | 
| Irene Dunne | Sabra Cravat | 
| Estelle Taylor | Dixie Lee | 
| Nance O'Neil | Felice Venable | 
| William Collier Jr. | The Kid | 
| Roscoe Ates | Jesse Rickey (as Rosco Ates) | 
| George E. Stone | Sol Levy | 
| Stanley Fields | Les Yountis | 
| Robert McWade | Louis Hefner | 
| Edna May Oliver | Mrs. Tracy Wyatt | 
| Judith Barrett | Donna Cravat (as Nancy Dover) | 
| Eugene Jackson | Isaiah | 
| Max Barwyn | Sabra's Luncheon Greeter (uncredited) | 
| Heinie Conklin | (uncredited) | 
| Edith Fellows | (uncredited) | 
| Otto Hoffman | Murch Rankin (uncredited) | 
| William Janney | Man Phoning Ambulance (uncredited) | 
| Bob Kortman | Killer (uncredited) | 
| Frank Lackteen | Man Warning Yountis (uncredited) | 
| Ethan Laidlaw | (uncredited) | 
| Dennis O'Keefe | (uncredited) | 
| Helen Parrish | Young Donna (uncredited) | 
| Carl Stockdale | (uncredited) | 
| Arthur Tovey | Dancer at Ball | 
| Hank Potts | Stunts (uncredited) | 
| Name | Job | 
|---|---|
| Howard Estabrook | Writer | 
| Max Steiner | Original Music Composer | 
| Max Rée | Costume Design | 
| William Hamilton | Editor | 
| Dewey Starkey | Assistant Director | 
| Fred Bentley | Camera Operator | 
| Clem Portman | Sound | 
| Doran Cox | Assistant Director | 
| F.D. Langton | Assistant Director | 
| L. De Angelis | Camera Operator | 
| Roy Clark | Camera Operator | 
| Edna Ferber | Novel | 
| Wesley Ruggles | Director | 
| Edward Cronjager | Director of Photography | 
| Name | Title | 
|---|---|
| William LeBaron | Producer | 
| Louis Sarecky | Associate Producer | 
| Wesley Ruggles | Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Won | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 14 | 24 | 9 | 
| 2024 | 5 | 15 | 24 | 9 | 
| 2024 | 6 | 16 | 38 | 8 | 
| 2024 | 7 | 11 | 18 | 7 | 
| 2024 | 8 | 15 | 34 | 8 | 
| 2024 | 9 | 7 | 11 | 5 | 
| 2024 | 10 | 9 | 13 | 5 | 
| 2024 | 11 | 10 | 21 | 6 | 
| 2024 | 12 | 8 | 15 | 5 | 
| 2025 | 1 | 9 | 17 | 5 | 
| 2025 | 2 | 7 | 12 | 3 | 
| 2025 | 3 | 5 | 10 | 1 | 
| 2025 | 4 | 1 | 3 | 1 | 
| 2025 | 5 | 1 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 2 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 2 | 2 | 1 | 
Trending Position
I know this gets VERY maligned these days as one of the very worst winners ever of the Best Picture Oscar, especially considering 'The Front Page' was the definitive best of those nominated that year, at the 4th Academy Awards ceremony (and that great films such as 'City Lights', 'Morocco' and 'Fran ... kenstein' didn't even get nominated), but if you can take away Richard Dix's horrible overacting (I can't believe he was even nominated for Best Actor that year!) and uneven, sometimes lethargic or indifferent pacing and direction, certain scenes really pack a wallop, I'm glad that I watched it, and it's certainly not the worst Best Picture Oscar-winner I have seen thus far (that would probably be 'Shakespeare in Love', if I recall correctly, but I would love to watch all of them, just to be sure), and in some ways, I even tend to prefer it to the 1960 remake by Anthony Mann, even though I adore films I have seen that he's directed (although I'm not the biggest Glenn Ford fan in the world, so that probably evens things out). Irene Dunne is a delight, as always. Though it certainly could have used a better editor (a good 30-40 minutes could have been sliced off, and no one would be the wiser), it certainly deserves at least one watch, especially if you're a history buff and want to see a decent depiction of how the Midwest was won.