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The Tales of Hoffmann Poster

The Tales of Hoffmann

You Will Never See Anything Finer On The Screen!
1951 | 127m | English

(4413 votes)

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Popularity: 2 (history)

Details

A young poet named Hoffman broods over his failed romances. First, his affair with the beautiful Olympia is shattered when he realizes that she is really a mechanical woman designed by a scientist. Next, he believes that a striking prostitute loves him, only to find out she was hired to fake her affections by the dastardly Dapertutto. Lastly, a magic spell claims the life of his final lover.
Release Date: Apr 04, 1951
Director: Michael Powell, Emeric Pressburger
Writer: Michael Powell, Emeric Pressburger, Dennis Arundell, Jules Barbier, E. T. A. Hoffmann, Michel Carré
Genres: Fantasy, Romance, Music
Keywords opera, musical, anthology, surrealism, based on play or musical, ballet, automaton, soprano, prima ballerina
Production Companies The Archers, Vega Film Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 10, 2025
Entered: Apr 15, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Moira Shearer Stella / Olympia
Ludmilla Tchérina Giulietta
Pamela Brown Niklaus
Léonide Massine Spalanzani / Schlemil / Franz
Ann Ayars Antonia
Robert Helpmann Lindorf / Coppelius / Dapertutto / Dr. Miracle
Frederick Ashton Kleinsach / Cochenille
Robert Rounseville Hoffmann
Mogens Wieth Crespel
Lionel Harris Pitichinaccio
Philip Leaver Andrés
Meinhart Maur Luther
Edmond Audran Partner to Stella in Dragonfly Ballet
Sir Thomas Beecham Self - Conductor (uncredited)
Alan Carter Casher (Act 1) (uncredited)
Elizabeth Christie Corps de Ballet (uncredited)
John Ford Nathanaël (uncredited)
Richard Golding Hermann - Prologue and Epilogue (uncredited)
Lillemor Knudsen Dancer (uncredited)
Barry Lowe Student (uncredited)
Arthur Skinner Man in Background (uncredited)
Name Job
Christopher Challis Director of Photography
Arthur Lawson Art Direction
Ivy Baker Costume Design
Connie Reeve Makeup Artist
Charles Orme Unit Production Manager
Sydney Streeter Assistant Director
John Cox Sound
Ted Drake Sound
Reginald Mills Editor
Joe Shear Hairstylist
Michael Powell Writer, Director
Emeric Pressburger Writer, Director
Jacques Offenbach Original Music Composer
Dennis Arundell Writer
Jules Barbier Original Story
E. T. A. Hoffmann Story
Michel Carré Original Story
Bernard Sarron Set Dresser
Freddie Francis Camera Operator
Frederick Ashton Choreographer
Hein Heckroth Production Design, Costume Design
Sir Thomas Beecham Conductor
Name Title
Emeric Pressburger Producer
Michael Powell Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 8 13 5
2024 5 10 23 4
2024 6 8 15 4
2024 7 10 26 6
2024 8 9 17 6
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2024 12 8 12 5
2025 1 8 13 4
2025 2 6 12 2
2025 3 5 11 1
2025 4 1 3 1
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2025 7 1 2 0
2025 8 1 3 0
2025 9 0 1 0
2025 10 1 3 1

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Reviews

Geronimo1967
7.0

Though I really enjoyed watching this, it isn't really a film at all. Messrs. Powell and Pressburger have elicited the help of the supremely talented Christopher Challis and of the late Jacques Offenbach and basically filmed an augmented theatrical production of his eponymous, uncompleted, opera. Th ... ey have assembled a curiously effective collection of gloriously clad acting talent - most of whom, aside from the narrator/composer himself in the form of Robert Rounseville, cannot actually sing - and proceeded to present us with something that is really quite beautiful to watch and listen to; but that is really not that different from that which we might see at Covent Garden. It features the landmark P&P colour schemes - vibrant, lively and bold with the use of light and the staging of this three part story all adding up to a delightful watch. If you know the libretto, then you will know this is about a rather down-in-the-dumps poet who is reflecting on his life and the choices his chosen career has forced him to make at the expense of his loves. The ballet dancer "Stella" (Moira Shearer) is his most recent love, but there have been others and all of them have, in some way, fallen foul of Robert Helpmann's excellent "Lindorf". There are some super puppetry effects and the sparing use of visual effects to remind us were are not in the grand circle, but for the most part this is a cleverly crafted and stylishly produced theatrical performance that I enjoyed, but would still have rather seen (and heard on a stage). It's still innovative and imaginative cinema that is well worth seeing, though.

Dec 28, 2022