| A rich, young businessman travels to Australia with the intention of buying a 1967 Citroën DS. Once he arrives, things do not go to plan, and he must drive the DS into the outback alongside a blind young woman in order to track down its seller. | |
| Release Date: | Sep 08, 2000 |
|---|---|
| Director: | Clara Law |
| Writer: | Clara Law, Eddie Fong |
| Genres: | Comedy, Drama, Romance |
| Keywords | dancing, australia, police, woman director |
| Production Companies | New South Wales Film & Television Office |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 15, 2024 |
| Name | Character |
|---|---|
| Rose Byrne | B.G. |
| Rikiya Kurokawa | J.M. |
| Nicholas Hope | Grandpa |
| Elise McCredie | Marie |
| Tim Richards | Drummer Boy |
| Bree Beadman | Young B.G. |
| Satya Gumbert | Young Marie |
| Tina Bursill | Esther |
| Dominic Condon | Mr. Hughes |
| Tim McGarry | Detective |
| John Boxer | Barman |
| Harry Lawrence | Old Man in Bar |
| Masato Sakai | Roadside Noodle Eater |
| Name | Job |
|---|---|
| Clara Law | Director, Writer |
| Eddie Fong | Writer |
| Anousha Zarkesh | Casting |
| Nicholas McCallum | Production Design |
| Dion Beebe | Director of Photography |
| Christian Gazal | Post Production Supervisor |
| Mick Corrigan | Stunts |
| Katie Gordon | Production Coordinator |
| John Balbi | Grip |
| Yōko Narahashi | Casting |
| Sue Healy | Choreographer |
| Lucy Vorst | Production Accountant |
| Peter Grace | Sound Recordist |
| Dennis Kiely | Line Producer |
| Jen Anderson | Original Music Composer |
| Kate Williams | Editor |
| Annie Marshall | Costume Design |
| Helen Mather | Costume Design |
| Emma Lawes | Art Direction |
| Margaret Aston | Assistant Makeup Artist |
| Robyn Austin | Hair Supervisor, Makeup Supervisor |
| Geoff Naylor | Unit Manager |
| Chris Webb | First Assistant Director |
| Tanya Jackson | Second Assistant Director |
| Scott Lovelock | Third Assistant Director |
| Geoff Willman | Third Assistant Director |
| Geoff Howe | Construction Coordinator |
| Dillon Yeats | Runner Art Department |
| Sue Kerr | Boom Operator |
| Gerry Long | Foley Artist |
| Robert Mackenzie | ADR Recordist |
| Skye Ritchie | Assistant Sound Editor |
| Livia Ruzic | Sound Editor |
| Roger Savage | Sound Mixer |
| Gareth Vanderhope | Sound Effects Designer |
| Andrea Parkes | Visual Effects Producer |
| Chris Schwarze | Visual Effects Producer |
| Peter Webb | Visual Effects |
| Venetia Armstrong-Smith | Clapper Loader |
| Simon Cardwell | Still Photographer |
| Nick De Laine | Gaffer |
| Jeremy Dibben | Assistant Camera |
| Sally Eccleston | First Assistant Camera |
| Adam Hunter | Best Boy Electric |
| Benjamin Jasper | Focus Puller |
| Roy Mico | Key Grip |
| Scott Otto Anderson | Title Designer, Animation Director |
| Jane Norris | Casting Assistant |
| Dani Skye | Casting Assistant |
| Billy Browne | Post Production Assistant |
| Arthur Cambridge | Color Grading |
| Adrian Hauser | Colorist |
| Caroline Scott | Assistant Editor |
| Auslan Ismail | Location Manager |
| Claude Gonzalez | Continuity |
| Name | Title |
|---|---|
| Eddie Fong | Producer |
| Wouter Barendrecht | Executive Producer |
| Michael J. Werner | Executive Producer |
| Akiko Funatsu | Executive Producer |
| Helen Loveridge | Executive Producer |
| Peter Sainsbury | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
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| 2024 | 4 | 4 | 6 | 2 |
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| 2025 | 1 | 3 | 5 | 1 |
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| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 3 | 2 |
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