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Silver Haze Poster

Silver Haze

2023 | 103m | English

(1110 votes)

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Popularity: 4 (history)

Director: Sacha Polak
Writer: Sacha Polak
Staring:
Details

23-year-old Franky is a nurse who lives with her large family in an East London borough. Obsessed with a thirst for revenge and a need to assign guilt for a traumatic event that happened 15 years before, she is unable to build any meaningful relationship until she falls in love with one of her patients – Florence. They escape to the coast where Florence lives with her more open-minded patchwork family. There, Franky finds the emotional shelter to deal with the grudges of the past.
Release Date: Mar 02, 2023
Director: Sacha Polak
Writer: Sacha Polak
Genres: Drama, Romance
Keywords lgbt, east london
Production Companies Viking Film, EMU Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 03, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Vicky Knight Franky
Esme Creed-Miles Florence
Charlotte Knight Leah
Archie Brigden Jack
Angela Bruce Alice
Brandon Bendell Jason
Alfie Deegan Flynn
TerriAnn Cousins Jenn
Jeanette Maskell Hospital patient / Funeral Guest
Daniel Phelan Jamie
Billy Knight Tom
Nicola Bland Kathy
Carrie Bunyan Donna
Sandra Kwiek Kayley
Sarah-Jane Dent Jane
Cain Aiden Passerby (uncredited)
Mason Cook Mason
Beryl Nesbitt Belinda
Florian Rafuna Boy on Bus
Bluey Robinson Jimmy
Sallyann Fellowes Police Officer
Pierse Stevens Police Officer
James Walmsley Alice's Date
Du'aine A. Samuels Police Officer Knight House
Bonnie O'Brien Receptionist Police Station
Name Job
Sacha Polak Writer, Director
Lot Rossmark Editor
Ella van der Woude Original Music Composer
Joris Oonk Original Music Composer
Casper Molin Sound Effects Editor
Zita Leemans Foley Mixer
Chris Whiteside ADR Mixer
Max van den Oever Supervising Sound Editor
Lucy Pardee Casting
Job Michel Production Sound Mixer
Blaine Bradley Gaffer
Tibor Dingelstad Director of Photography
Elena Isolini Production Design
Jan Schermer Sound Re-Recording Mixer
Daimo da Costa Foley Artist
Yorick Sedee Foley Editor
Name Title
Marleen Slot Producer
Sacha Polak Executive Producer
Vicky Knight Executive Producer
Frank Klein Executive Producer
Walli Ullah Executive Producer
Clea de Koning Executive Producer
Eva Yates Executive Producer
Jim Mooney Executive Producer
Michael Elliott Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 11 20 6
2024 5 10 14 4
2024 6 10 35 3
2024 7 7 13 4
2024 8 6 13 2
2024 9 8 13 4
2024 10 7 11 4
2024 11 5 7 2
2024 12 5 11 3
2025 1 5 9 1
2025 2 2 4 1
2025 3 2 4 1
2025 4 1 2 0
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 1 1 0
2025 9 2 2 1
2025 10 2 4 2

Trending Position


Year Month High Avg
2025 4 135 486

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Reviews

Geronimo1967
6.0

"Franky" (Vicky Knight) is a nurse who can't shake the effects of a conflagration fifteen years earlier that left her slightly scarred physically but more so emotionally. Partly, that's because she reckons that her mum's pal "Jane" was responsible - but there's no proof. Anyway, unable to hold down ... any kind of meaningful relationship she cruises through life until she encounters "Florence" (Esme Creed-Miles). This is a bit of a bolt from the blue for her as she falls completely and the two abscond. Their time together is turbulent at times, but it does give them the opportunity to plot revenge. Is that what "Franky" really wants though? Has she just become so hard-wired that she can't learn to move on? Things begin to recalibrate when she discovers that her beloved nan "Alice" (Angela Bruce) has cancer and rather predictably, the histrionics all calm down and the story rather loses it's spark. Aside from a rather odious scene on a bus - which may well be based on true events in London - the rest of this is an unremarkable love story (it's in no way a romance) that follows a bunch of unlikable characters about whom I couldn't care less after about twenty minutes of stereotypical and foul-mouthed characterisations. The acting is fairly visceral, to be fair, but it's presented in pseudo-documentary style some of the time then in a more straightforward form of drama at others with neither really engaging. It's contrived coming of age stuff that's neither original nor vital, sorry.

Jul 20, 2024