 
  Popularity: 4 (history)
| Director: | Sacha Polak | 
|---|---|
| Writer: | Sacha Polak | 
| Staring: | 
| 23-year-old Franky is a nurse who lives with her large family in an East London borough. Obsessed with a thirst for revenge and a need to assign guilt for a traumatic event that happened 15 years before, she is unable to build any meaningful relationship until she falls in love with one of her patients – Florence. They escape to the coast where Florence lives with her more open-minded patchwork family. There, Franky finds the emotional shelter to deal with the grudges of the past. | |
| Release Date: | Mar 02, 2023 | 
|---|---|
| Director: | Sacha Polak | 
| Writer: | Sacha Polak | 
| Genres: | Drama, Romance | 
| Keywords | lgbt, east london | 
| Production Companies | Viking Film, EMU Films | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 03, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Vicky Knight | Franky | 
| Esme Creed-Miles | Florence | 
| Charlotte Knight | Leah | 
| Archie Brigden | Jack | 
| Angela Bruce | Alice | 
| Brandon Bendell | Jason | 
| Alfie Deegan | Flynn | 
| TerriAnn Cousins | Jenn | 
| Jeanette Maskell | Hospital patient / Funeral Guest | 
| Daniel Phelan | Jamie | 
| Billy Knight | Tom | 
| Nicola Bland | Kathy | 
| Carrie Bunyan | Donna | 
| Sandra Kwiek | Kayley | 
| Sarah-Jane Dent | Jane | 
| Cain Aiden | Passerby (uncredited) | 
| Mason Cook | Mason | 
| Beryl Nesbitt | Belinda | 
| Florian Rafuna | Boy on Bus | 
| Bluey Robinson | Jimmy | 
| Sallyann Fellowes | Police Officer | 
| Pierse Stevens | Police Officer | 
| James Walmsley | Alice's Date | 
| Du'aine A. Samuels | Police Officer Knight House | 
| Bonnie O'Brien | Receptionist Police Station | 
| Name | Job | 
|---|---|
| Sacha Polak | Writer, Director | 
| Lot Rossmark | Editor | 
| Ella van der Woude | Original Music Composer | 
| Joris Oonk | Original Music Composer | 
| Casper Molin | Sound Effects Editor | 
| Zita Leemans | Foley Mixer | 
| Chris Whiteside | ADR Mixer | 
| Max van den Oever | Supervising Sound Editor | 
| Lucy Pardee | Casting | 
| Job Michel | Production Sound Mixer | 
| Blaine Bradley | Gaffer | 
| Tibor Dingelstad | Director of Photography | 
| Elena Isolini | Production Design | 
| Jan Schermer | Sound Re-Recording Mixer | 
| Daimo da Costa | Foley Artist | 
| Yorick Sedee | Foley Editor | 
| Name | Title | 
|---|---|
| Marleen Slot | Producer | 
| Sacha Polak | Executive Producer | 
| Vicky Knight | Executive Producer | 
| Frank Klein | Executive Producer | 
| Walli Ullah | Executive Producer | 
| Clea de Koning | Executive Producer | 
| Eva Yates | Executive Producer | 
| Jim Mooney | Executive Producer | 
| Michael Elliott | Co-Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 11 | 20 | 6 | 
| 2024 | 5 | 10 | 14 | 4 | 
| 2024 | 6 | 10 | 35 | 3 | 
| 2024 | 7 | 7 | 13 | 4 | 
| 2024 | 8 | 6 | 13 | 2 | 
| 2024 | 9 | 8 | 13 | 4 | 
| 2024 | 10 | 7 | 11 | 4 | 
| 2024 | 11 | 5 | 7 | 2 | 
| 2024 | 12 | 5 | 11 | 3 | 
| 2025 | 1 | 5 | 9 | 1 | 
| 2025 | 2 | 2 | 4 | 1 | 
| 2025 | 3 | 2 | 4 | 1 | 
| 2025 | 4 | 1 | 2 | 0 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 4 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 135 | 486 | 
"Franky" (Vicky Knight) is a nurse who can't shake the effects of a conflagration fifteen years earlier that left her slightly scarred physically but more so emotionally. Partly, that's because she reckons that her mum's pal "Jane" was responsible - but there's no proof. Anyway, unable to hold down ... any kind of meaningful relationship she cruises through life until she encounters "Florence" (Esme Creed-Miles). This is a bit of a bolt from the blue for her as she falls completely and the two abscond. Their time together is turbulent at times, but it does give them the opportunity to plot revenge. Is that what "Franky" really wants though? Has she just become so hard-wired that she can't learn to move on? Things begin to recalibrate when she discovers that her beloved nan "Alice" (Angela Bruce) has cancer and rather predictably, the histrionics all calm down and the story rather loses it's spark. Aside from a rather odious scene on a bus - which may well be based on true events in London - the rest of this is an unremarkable love story (it's in no way a romance) that follows a bunch of unlikable characters about whom I couldn't care less after about twenty minutes of stereotypical and foul-mouthed characterisations. The acting is fairly visceral, to be fair, but it's presented in pseudo-documentary style some of the time then in a more straightforward form of drama at others with neither really engaging. It's contrived coming of age stuff that's neither original nor vital, sorry.