 
  Popularity: 3 (history)
| Director: | Ken Annakin | 
|---|---|
| Writer: | Peter Blackmore, Denis Waldock | 
| Staring: | 
| A young married physician discovers a mermaid, and gives into her request to be taken to see London. Comedy and romantic entanglements ensue. | |
| Release Date: | Apr 06, 1948 | 
|---|---|
| Director: | Ken Annakin | 
| Writer: | Peter Blackmore, Denis Waldock | 
| Genres: | Comedy, Fantasy, Romance | 
| Keywords | love triangle, jealousy, fisherman, mermaid | 
| Production Companies | Gainsborough Pictures, Sydney Box Productions | 
| Box Office | Revenue: $834,332 Budget: $784,170 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 25, 2024 | 
| Name | Character | 
|---|---|
| Glynis Johns | Miranda Trewella | 
| Googie Withers | Clare Martin | 
| Griffith Jones | Dr. Paul Martin | 
| John McCallum | Nigel | 
| Margaret Rutherford | Nurse Carey | 
| David Tomlinson | Charles | 
| Yvonne Owen | Betty | 
| Sonia Holm | Isobel | 
| Brian Oulton | Manell | 
| Zena Marshall | Secretary | 
| Lyn Evans | Inn Landlord | 
| Stringer Davis | Museum Attendant | 
| Hal Osmond | Railway Carman | 
| Maurice Denham | Cockle Vendor | 
| Gerald Campion | Lift Boy (uncredited) | 
| Howard Douglas | Fisherman (uncredited) | 
| Joan Ingram | Primadonna (uncredited) | 
| Tonie MacMillan | Nigel's Landlady (uncredited) | 
| Charles Paton | On the Kiosk (uncredited) | 
| Philip Ray | Fisherman (uncredited) | 
| Charles Rolfe | On the Kiosk (uncredited) | 
| Frank Webster | Service Man (uncredited) | 
| Name | Job | 
|---|---|
| Ken Annakin | Director | 
| Temple Abady | Original Music Composer | 
| Peter Blackmore | Screenplay | 
| Ray Elton | Director of Photography | 
| Gordon Hales | Editor | 
| George Paterson | Art Direction | 
| Jo Harcourt | Continuity | 
| Denis Waldock | Writer | 
| Bryan Langley | Director of Photography | 
| Len Garde | Makeup Artist | 
| Yvonne Caffin | Wardrobe Supervisor | 
| Alf Keating | Assistant Director | 
| B. C. Sewell | Sound Director | 
| Dudley Lovell | Camera Operator | 
| M. Hobbs | Sound Recordist | 
| Fred Gunn | Production Controller | 
| Name | Title | 
|---|---|
| Betty E. Box | Producer | 
| Roy Rich | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 5 | 13 | 1 | 
| 2024 | 5 | 6 | 16 | 3 | 
| 2024 | 6 | 5 | 12 | 2 | 
| 2024 | 7 | 5 | 9 | 1 | 
| 2024 | 8 | 7 | 17 | 3 | 
| 2024 | 9 | 5 | 6 | 3 | 
| 2024 | 10 | 5 | 11 | 2 | 
| 2024 | 11 | 3 | 8 | 2 | 
| 2024 | 12 | 4 | 6 | 2 | 
| 2025 | 1 | 4 | 11 | 1 | 
| 2025 | 2 | 2 | 3 | 1 | 
| 2025 | 3 | 2 | 3 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 3 | 0 | 
| 2025 | 9 | 2 | 3 | 2 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
This is a rather harmless old black and white comedy-fantasy. I had never heard of it before this opportunity came along to watch it, and the only name I recognized was jolly Margaret Rutherford, a familiar and very busy character actress for decades. Glynis Johns carries the film with her pretty fa ... ce, blond hair and vibrant personality. The fantasy aspect is that she plays a mermaid. It is not a classic to join ones on my shelf for multiple viewings, but it is entertaining enough to be worth the time. Miranda is the mermaid that a doctor brings home from a fishing trip, whereupon every man in sight falls for her like a shot. (Listen, guys, you carry her across the room with her arms around your neck and see if you don’t fall for her.) The dialogue is crisp, often witty, and sounds modern, not very dated at all. Though the aquatic puns and plays on words fall flat once in a while. (Which is why I am not using descriptive phrases, like saying that the plot moved along swimmingly,) Miranda gets away with a lot as a character, partly because she is young and sweet, and also because Doc is passing off her Fish-fin lower body as her being a paraplegic. Just as, for example, the Dudley Moore title character in Arthur can say anything with drunken impunity (well, until he meets Liza Minnelli), so can Miranda be risqué and come out with double entendres without the women folk throwing her back into the drink. The ending was rather predictable to me, but there weren’t many places it could go, and it was handled with aplomb. I especially thought the doctor’s wife’s character was well-written, as played by Google Withers. She seemed sure of her husband’s love for her, and her tolerance drove the plot and allowed it to seem more realistic, within the constraint of there being a mermaid, of course! Interestingly, there seems to have been a sequel, called Mad About Men, in 1954, with only Miranda and Nurse Cary (Rutherford) repeating their roles.
Griffiths Jones is ("Dr. Paul Martin") who leaves his wife to go on a Cornish fishing trip where he falls foul of mischievous mermaid "Miranda" (Glynis Johns) who holds him captive in her underwater grotto. Her condition for release is that he take her to London where, abetted by Margaret Rutherford ... as "Nurse Carey" she wreaks havoc, flirting with all the men she meets. It's a rather one-joke film that starts engagingly enough, but as the joke grows thin - and, frankly, preposterous, the performance of Johns starts to grate a little. Googie Withers is quite good as the doctor's somewhat sceptical wife, as is David Tomlinson as their rather hapless chauffeur but - like her tail - the story is just a bit thin and flails about a bit too much as it drifts from comedy to romantic melodrama