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Made in England: The Films of Powell and Pressburger Poster

Made in England: The Films of Powell and Pressburger

2024 | 133m | English

(1470 votes)

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Popularity: 1 (history)

Director: David Hinton
Writer:
Staring:
Details

Martin Scorsese presents this very personal and insightful new feature-length documentary about British filmmakers Michael Powell and Emeric Pressburger.
Release Date: May 10, 2024
Director: David Hinton
Writer:
Genres: Documentary
Keywords powell and pressburger
Production Companies BBC Film, Altitude Film Entertainment, Sikelia Productions, Screen Scotland, Ten Thousand 86, Ice Cream Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 20, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Martin Scorsese Self
Michael Powell Self (archive footage)
Emeric Pressburger Self (archive footage)
Deborah Kerr (archive footage)
Roger Livesey (archive footage)
David Niven (archive footage)
Kim Hunter (archive footage)
Name Job
David Hinton Director
Ronan Killeen Director of Photography
Margarida Cartaxo Editor
Name Title
Nicky Varley Producer
Claudia Yusef Executive Producer
Eva Yates Executive Producer
Thomas Høegh Executive Producer
Will Clarke Executive Producer
Mark Thomas Executive Producer
Matthew Wells Producer
Martin Scorsese Executive Producer
Olivia Harrison Executive Producer
Thelma Schoonmaker Executive Producer
Organization Category Person
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Reviews

Geronimo1967
7.0

Using some rarely seen interview footage of Michael Powell and Emeric Pressburger and very, very, few industry talking heads, this is a fitting tribute to two men who trail-blazed British cinema in the 1940s and truly inspired the presenter - Martin Scorsese. His pieces to camera are sparingly inter ... spersed into his narration of the astonishingly bold and creative aspiration of these film-makers who made a range of films ranging from lightly comedic romances through the dark times of WWII and their more propagandist elements, to full blown theatrical adaptations using great artistes like Moira Shearer, Robert Helpmann, Robert Sounseville, Ludmilla Tcherina and the usually present Anton Walbrook. In partnership with the additional, often inspired, vision of regular cinematographers like Jack Cardiff and Christopher Challis they used colour, shade, light and most importantly (I think) music to augment some stirring characterisations and potent stories that tackled a plethora of topics that resonated strongly with audiences hitherto unexposed to the sheer grandeur of the experience on the screen before them. The documentary is composed so as to leave virtually all of the heavy lifting to the pair themselves. Scorsese gently, but enthusiastically and insightfully, guides us through their careers without spending much time on their personal lives or other distractions, and that allows us to savour the variety of the Archer's productions, the delicacy of their writing - especially from David Niven, Roger Livesey and Kim Hunter in "A Matter of Life and Death" (1946), and leaves us with a sympathetically and critically crafted appraisal of two cinema geniuses. It's a chronology of sorts, but not just of film making - it tells us a little about the evolving attitudes and tastes of the audiences too.

May 15, 2024