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Three Bedrooms, One Corpse: An Aurora Teagarden Mystery Poster

Three Bedrooms, One Corpse: An Aurora Teagarden Mystery

2016 | 84m | English

(2261 votes)

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Popularity: 3 (history)

Details

While Aurora "Roe" Teagarden searches for her piece of the American dream, she decides to test the waters of the family business - real estate sales. Only thing is there's a dead body in the first house she shows. When a second body shows up in another home, Roe realizes there's more to real estate than she thought.
Release Date: Jun 12, 2016
Director: Lynne Stopkewich
Writer: Teena Booth, Charlaine Harris
Genres: Drama, Crime, Mystery, TV Movie
Keywords
Production Companies Lighthouse Pictures, Muse Entertainment, Head First Productions, iCandy Production
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

No trailers or extras available.

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Full Credits

Name Character
Candace Cameron Bure Aurora Teagarden
Lexa Doig Sally Allison
Marilu Henner Aida Teagarden
Peter Benson Det. Arthur Smith
Yannick Bisson Martin Bartell
Miranda Frigon Det. Lynn Liggett Smith
Bruce Dawson John Queensland
Nicole Oliver Eileen Crandall
Catherine Lough Haggquist Terry
Giles Panton Franklin
Reagan Dale Neis Idella
Aliza Vellani Patty
Clayton James Mackie
Craig March Captain Fred Burns
Brad Harder Officer Heard
Scott Lyster Perry Dell
Julian Christopher Lemaster Cane
Ellie Harvie Lillian Tibbett
Milo Shandel Donnie Greenhouse
Amos Mitchell Henry Evans
Lini Evans Saleswoman
Brenda Campbell Reporter
Name Job
Lynne Stopkewich Director
Todd Elyzen Director of Photography
Teena Booth Writer
Joanne Kinchella Key Makeup Artist
Mark Angly Foley Editor
Tyler Kathrens Boom Operator
Tahnee Curtis Script Supervisor
Joey Setter Production Coordinator
Ron Yoshida Editor
Daren Luc Sasges Production Design
Grace Alvarez Art Direction
Heather Victoria Adams Set Decoration
Barbara Gregusova Costume Design
Rosa Terracciano Hair Department Head
Kevin Speckmaier First Assistant Director
Katie Weldon Property Master
Christine McLeod Dialogue Editor
Mike Paprocki Sound Designer
Brett Keyes Visual Effects Supervisor
Aj Anderson Best Boy Electric
Dean Buscher Still Photographer
Jonathan Chawla Lighting Technician
Mattisse Hubert Dolly Grip
Jay Kohne "B" Camera Operator, Camera Operator
Blair McDonald Gaffer
Jesse D.E. Young Key Grip
Lianne Oelke First Assistant Editor
Rico Mielnicki Location Manager
Daniel Cardona Sound Re-Recording Mixer, Foley Editor
Candice Elzinga Casting
Dave T. Nall Second Assistant Director
Robin Smith Steadicam Operator, "A" Camera Operator
Thomas Yardley First Assistant "A" Camera
Caragh Fitzsimmons First Assistant "A" Camera
Gabriel Boyko Second Assistant "A" Camera
Benjamin Tubb First Assistant "B" Camera
Elizabeth House First Assistant "B" Camera
Aaron Olson Digital Imaging Technician
Steven Weakes Sound Mixer
Jason Sober Assistant Art Director
Tanisha Roman Set Dresser
Dani Peimer Set Dresser
Kayla Rilling Assistant Property Master
Terrance Azzuolo Assistant Property Master
Paige Harvey Assistant Property Master
Martin Gregus Assistant Costume Designer, Costume Set Supervisor
Sam Kellett Second Assistant "B" Camera
Elena Gregusova Truck Costumer
Amy-Leigh Poitras Assistant Makeup Artist
Lilia Afsahi Assistant Hairstylist
Cherie Moscone Assistant Hairstylist
Alexander Ma Best Boy Electric
Greg Goudreau Grip
John Harrington Grip
Reagan Sutherland Assistant Production Coordinator
Mandi Egilsson Third Assistant Director
Trudi Thorwaldson Production Accountant
Mai-Britt Kotzman Assistant Accountant
Dean Fitzpatrick Transportation Coordinator
Mark Schmitke Transportation Captain
Sean Hanlin Security Coordinator
Martina Smyth Casting Assistant
Stephanie Boeke Extras Casting
Koah Kruse Post Production Supervisor
Jay Harada Online Editor
Andrea Dixon Colorist
Matt Dawson Sound Re-Recording Mixer, Foley Mixer
Rob Coxford Sound Re-Recording Mixer, Foley Mixer
Kelly Cole Sound Supervisor
Bill Mellow Sound Supervisor
Kevin Barron Sound Editor
Shane Shemko Foley Artist
Elaine Stef Foley Artist
Charlaine Harris Novel
Scott J. Ateah Stunt Coordinator
Cassandra Ebner Stunt Double
Fraser Corbett Stunt Double
Rob Lycar Production Manager
Carey Feehan Grip
Jonathan Shore Post Production Supervisor
Jeff Tymoschuk Original Music Composer
Name Title
Candace Cameron Bure Executive Producer
Shawn Williamson Executive Producer
Michael Prupas Executive Producer
Jamie Goehring Producer
Trevor McWhinney Producer
Charlaine Harris Executive Producer
Joel S. Rice Executive Producer
Jim Head Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
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2024 5 12 18 7
2024 6 10 23 6
2024 7 12 28 6
2024 8 7 12 4
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2025 1 7 13 5
2025 2 6 10 3
2025 3 4 6 1
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2025 8 2 5 0
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2025 10 2 4 1

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Reviews

Rangan
7.0

**The great art theft!** The third film in the Aurora Teagarden film series and based on the book of the same name. I think it got better now. I mean I liked previous two, but this kind of crime-mysteries I like a lot. This is by far the closely related to Aurora. Nothing like she directly involv ... ed in it, but when her mother's firm associated with the latest murder in the town, she got to step in like the previous occasions to find the truth. That gave strength to the film plot to evolve vigorously. When I say such strong word for a television film, that means for the television standards only. She was covering for her busy mother, but it was not like any other day, because she finds a dead body in the backyard of the house she was showing for a customer. The dead woman worked for her mother. Now the question is who did it? And the motivation! From the customers to someone from the work, it could be anybody. All Aurora had a small clue, that she did not know it until the last moment. But did she catch the killer using it as a bait, and if she did so, how it all happened was unfolded in the remaining tale. As usual the police chief was annoying. I mean not for me/viewers, but for Aurora for her enthusiasm in crime solving which he sees as an obstruction. In this, she directly associated, since she was the first to report it to the cops. So there's nothing much they could do about it, other than letting her do whatever she want, but within the legal circle. Her effort to solve it was more to save her mother, thinking she could become a future victim or be framed for it. Unlike cops, she begins her investigation with the employees of her mother's firm. Like usual, the inquiry initiated, but it did not take her anywhere to resolve the case. Except her suspicious on the man she's been with on the day she found the body. > ❝I'm a librarian. I have a masters degree in finding information.❞ Coming to that mystery man, he was like her new romance companion. He showed more interest to her as much she suspected him. So in the entire stretch of the narration, the romance became a distant word. Initially I was not happy that in every sequel, they had brought in the new guys as her love interest. All the above, they all had disappeared in the following film. The best part was, the romance was not given a strong preference in any of those As the viewers, we could see the connections. But it helped to build the story better. Besides, a fresh face gives a fresh perspective on whatever going on. The art theme was nicely used. But this is the series where uncovering the crime a main priority. So whatever the smartness used to do the crime/murder, you won't witness them. Then suddenly at the end comes out the suspect, revealing the purpose of committing it. It is a television film, and it always has a happy ending. As the title says, it is Aurora's tale and she has to accomplish it. That's how her character built. It is totally understandable, but it also makes the cops useless. I would have liked her involved alongside them to do the job, rather single handily manage all the time. The first act was good. From the basic plot, it was developed with a lot more suspenseful in the second act. Though the final act was cliché. I did not guess who was the culprit, but anybody would know how it all unfolds as it followed a basic blueprint of murder/crime mystery. Because if the probe reveals the motivation or a baitable evidence so early, then it loses nearly half the grip to keep the excitement going. This film had a decent ending, but too sudden and too quick, especially while confronting the bad guy, then it's all done. Once again all the actors were good. The director had been replaced, though she did good. I think I've said everything I wanted to, so now I'm looking forward for the next one to review. **7/10**

May 16, 2024