 
  Popularity: 3 (history)
| Director: | Lynne Stopkewich | 
|---|---|
| Writer: | Teena Booth, Charlaine Harris | 
| Staring: | 
| While Aurora "Roe" Teagarden searches for her piece of the American dream, she decides to test the waters of the family business - real estate sales. Only thing is there's a dead body in the first house she shows. When a second body shows up in another home, Roe realizes there's more to real estate than she thought. | |
| Release Date: | Jun 12, 2016 | 
|---|---|
| Director: | Lynne Stopkewich | 
| Writer: | Teena Booth, Charlaine Harris | 
| Genres: | Drama, Crime, Mystery, TV Movie | 
| Keywords | |
| Production Companies | Lighthouse Pictures, Muse Entertainment, Head First Productions, iCandy Production | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Candace Cameron Bure | Aurora Teagarden | 
| Lexa Doig | Sally Allison | 
| Marilu Henner | Aida Teagarden | 
| Peter Benson | Det. Arthur Smith | 
| Yannick Bisson | Martin Bartell | 
| Miranda Frigon | Det. Lynn Liggett Smith | 
| Bruce Dawson | John Queensland | 
| Nicole Oliver | Eileen Crandall | 
| Catherine Lough Haggquist | Terry | 
| Giles Panton | Franklin | 
| Reagan Dale Neis | Idella | 
| Aliza Vellani | Patty | 
| Clayton James | Mackie | 
| Craig March | Captain Fred Burns | 
| Brad Harder | Officer Heard | 
| Scott Lyster | Perry Dell | 
| Julian Christopher | Lemaster Cane | 
| Ellie Harvie | Lillian Tibbett | 
| Milo Shandel | Donnie Greenhouse | 
| Amos Mitchell | Henry Evans | 
| Lini Evans | Saleswoman | 
| Brenda Campbell | Reporter | 
| Name | Job | 
|---|---|
| Lynne Stopkewich | Director | 
| Todd Elyzen | Director of Photography | 
| Teena Booth | Writer | 
| Joanne Kinchella | Key Makeup Artist | 
| Mark Angly | Foley Editor | 
| Tyler Kathrens | Boom Operator | 
| Tahnee Curtis | Script Supervisor | 
| Joey Setter | Production Coordinator | 
| Ron Yoshida | Editor | 
| Daren Luc Sasges | Production Design | 
| Grace Alvarez | Art Direction | 
| Heather Victoria Adams | Set Decoration | 
| Barbara Gregusova | Costume Design | 
| Rosa Terracciano | Hair Department Head | 
| Kevin Speckmaier | First Assistant Director | 
| Katie Weldon | Property Master | 
| Christine McLeod | Dialogue Editor | 
| Mike Paprocki | Sound Designer | 
| Brett Keyes | Visual Effects Supervisor | 
| Aj Anderson | Best Boy Electric | 
| Dean Buscher | Still Photographer | 
| Jonathan Chawla | Lighting Technician | 
| Mattisse Hubert | Dolly Grip | 
| Jay Kohne | "B" Camera Operator, Camera Operator | 
| Blair McDonald | Gaffer | 
| Jesse D.E. Young | Key Grip | 
| Lianne Oelke | First Assistant Editor | 
| Rico Mielnicki | Location Manager | 
| Daniel Cardona | Sound Re-Recording Mixer, Foley Editor | 
| Candice Elzinga | Casting | 
| Dave T. Nall | Second Assistant Director | 
| Robin Smith | Steadicam Operator, "A" Camera Operator | 
| Thomas Yardley | First Assistant "A" Camera | 
| Caragh Fitzsimmons | First Assistant "A" Camera | 
| Gabriel Boyko | Second Assistant "A" Camera | 
| Benjamin Tubb | First Assistant "B" Camera | 
| Elizabeth House | First Assistant "B" Camera | 
| Aaron Olson | Digital Imaging Technician | 
| Steven Weakes | Sound Mixer | 
| Jason Sober | Assistant Art Director | 
| Tanisha Roman | Set Dresser | 
| Dani Peimer | Set Dresser | 
| Kayla Rilling | Assistant Property Master | 
| Terrance Azzuolo | Assistant Property Master | 
| Paige Harvey | Assistant Property Master | 
| Martin Gregus | Assistant Costume Designer, Costume Set Supervisor | 
| Sam Kellett | Second Assistant "B" Camera | 
| Elena Gregusova | Truck Costumer | 
| Amy-Leigh Poitras | Assistant Makeup Artist | 
| Lilia Afsahi | Assistant Hairstylist | 
| Cherie Moscone | Assistant Hairstylist | 
| Alexander Ma | Best Boy Electric | 
| Greg Goudreau | Grip | 
| John Harrington | Grip | 
| Reagan Sutherland | Assistant Production Coordinator | 
| Mandi Egilsson | Third Assistant Director | 
| Trudi Thorwaldson | Production Accountant | 
| Mai-Britt Kotzman | Assistant Accountant | 
| Dean Fitzpatrick | Transportation Coordinator | 
| Mark Schmitke | Transportation Captain | 
| Sean Hanlin | Security Coordinator | 
| Martina Smyth | Casting Assistant | 
| Stephanie Boeke | Extras Casting | 
| Koah Kruse | Post Production Supervisor | 
| Jay Harada | Online Editor | 
| Andrea Dixon | Colorist | 
| Matt Dawson | Sound Re-Recording Mixer, Foley Mixer | 
| Rob Coxford | Sound Re-Recording Mixer, Foley Mixer | 
| Kelly Cole | Sound Supervisor | 
| Bill Mellow | Sound Supervisor | 
| Kevin Barron | Sound Editor | 
| Shane Shemko | Foley Artist | 
| Elaine Stef | Foley Artist | 
| Charlaine Harris | Novel | 
| Scott J. Ateah | Stunt Coordinator | 
| Cassandra Ebner | Stunt Double | 
| Fraser Corbett | Stunt Double | 
| Rob Lycar | Production Manager | 
| Carey Feehan | Grip | 
| Jonathan Shore | Post Production Supervisor | 
| Jeff Tymoschuk | Original Music Composer | 
| Name | Title | 
|---|---|
| Candace Cameron Bure | Executive Producer | 
| Shawn Williamson | Executive Producer | 
| Michael Prupas | Executive Producer | 
| Jamie Goehring | Producer | 
| Trevor McWhinney | Producer | 
| Charlaine Harris | Executive Producer | 
| Joel S. Rice | Executive Producer | 
| Jim Head | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 11 | 16 | 8 | 
| 2024 | 5 | 12 | 18 | 7 | 
| 2024 | 6 | 10 | 23 | 6 | 
| 2024 | 7 | 12 | 28 | 6 | 
| 2024 | 8 | 7 | 12 | 4 | 
| 2024 | 9 | 8 | 14 | 5 | 
| 2024 | 10 | 8 | 19 | 5 | 
| 2024 | 11 | 8 | 20 | 4 | 
| 2024 | 12 | 7 | 10 | 5 | 
| 2025 | 1 | 7 | 13 | 5 | 
| 2025 | 2 | 6 | 10 | 3 | 
| 2025 | 3 | 4 | 6 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 2 | 5 | 0 | 
| 2025 | 9 | 3 | 6 | 1 | 
| 2025 | 10 | 2 | 4 | 1 | 
Trending Position
**The great art theft!** The third film in the Aurora Teagarden film series and based on the book of the same name. I think it got better now. I mean I liked previous two, but this kind of crime-mysteries I like a lot. This is by far the closely related to Aurora. Nothing like she directly involv ... ed in it, but when her mother's firm associated with the latest murder in the town, she got to step in like the previous occasions to find the truth. That gave strength to the film plot to evolve vigorously. When I say such strong word for a television film, that means for the television standards only. She was covering for her busy mother, but it was not like any other day, because she finds a dead body in the backyard of the house she was showing for a customer. The dead woman worked for her mother. Now the question is who did it? And the motivation! From the customers to someone from the work, it could be anybody. All Aurora had a small clue, that she did not know it until the last moment. But did she catch the killer using it as a bait, and if she did so, how it all happened was unfolded in the remaining tale. As usual the police chief was annoying. I mean not for me/viewers, but for Aurora for her enthusiasm in crime solving which he sees as an obstruction. In this, she directly associated, since she was the first to report it to the cops. So there's nothing much they could do about it, other than letting her do whatever she want, but within the legal circle. Her effort to solve it was more to save her mother, thinking she could become a future victim or be framed for it. Unlike cops, she begins her investigation with the employees of her mother's firm. Like usual, the inquiry initiated, but it did not take her anywhere to resolve the case. Except her suspicious on the man she's been with on the day she found the body. > ❝I'm a librarian. I have a masters degree in finding information.❞ Coming to that mystery man, he was like her new romance companion. He showed more interest to her as much she suspected him. So in the entire stretch of the narration, the romance became a distant word. Initially I was not happy that in every sequel, they had brought in the new guys as her love interest. All the above, they all had disappeared in the following film. The best part was, the romance was not given a strong preference in any of those As the viewers, we could see the connections. But it helped to build the story better. Besides, a fresh face gives a fresh perspective on whatever going on. The art theme was nicely used. But this is the series where uncovering the crime a main priority. So whatever the smartness used to do the crime/murder, you won't witness them. Then suddenly at the end comes out the suspect, revealing the purpose of committing it. It is a television film, and it always has a happy ending. As the title says, it is Aurora's tale and she has to accomplish it. That's how her character built. It is totally understandable, but it also makes the cops useless. I would have liked her involved alongside them to do the job, rather single handily manage all the time. The first act was good. From the basic plot, it was developed with a lot more suspenseful in the second act. Though the final act was cliché. I did not guess who was the culprit, but anybody would know how it all unfolds as it followed a basic blueprint of murder/crime mystery. Because if the probe reveals the motivation or a baitable evidence so early, then it loses nearly half the grip to keep the excitement going. This film had a decent ending, but too sudden and too quick, especially while confronting the bad guy, then it's all done. Once again all the actors were good. The director had been replaced, though she did good. I think I've said everything I wanted to, so now I'm looking forward for the next one to review. **7/10**