Trail of Ashes
2020 | 98m | English
Popularity: 0.1 (history)
| Director: | Arturo Lizardi |
|---|---|
| Writer: | Arturo Lizardi, Samari Vega |
| Staring: |
| The search for the empress's daughter reunites two long lost brothers who grew up on opposite sides of a war and now must choose between family bonds and political alliances. | |
| Release Date: | Dec 01, 2020 |
|---|---|
| Director: | Arturo Lizardi |
| Writer: | Arturo Lizardi, Samari Vega |
| Genres: | Fantasy, Mystery |
| Keywords | |
| Production Companies | Polymorph Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 08, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Héctor Escudero | Marco/Mute |
| Cecilia Argüelles | First |
| Arturo Lizardi | Silas/Ran |
| Jasmin Sanabria | Nam |
| Migdalia Rosario | voix d’impératrice |
| Carlos Miranda | Eli |
| Sergio Alicea | Dead soldier |
| Leyson Andreck | Silas |
| Jorge Antares | Prison Guard |
| Karina Curet | Magistrate |
| Ian Daryk Ramos | Father |
| Robert García Cooper | Emperor |
| Astrid Lizardi | Lina |
| Angelica Luiggi | Young woman |
| Michael Morris Zamora | Old man |
| Michael J. Morris | Old Man |
| Name | Job |
|---|---|
| Arturo Lizardi | Writer, Director |
| Carmelo Betancourt | Production Design |
| Manuel Vázquez | Sound Effects Editor, Sound Re-Recording Mixer, Foley Artist, Sound Recordist, Sound Designer, Original Music Composer |
| Ariel Alvarado | Sound Effects Editor, Sound Re-Recording Mixer, Foley Artist, Sound Recordist, Dialogue Editor, Sound |
| Ismael Mulero | Special Effects Makeup Artist, Makeup Artist |
| Xedric Camacho | Boom Operator |
| Heixan Robles | Cinematography |
| Pedro Javier Muñiz | Editor |
| Samari Vega | Writer |
| Name | Title |
|---|---|
| Arturo Lizardi | Executive Producer |
| Samari Vega | Executive Producer |
| Heixan Robles | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 8 | 3 |
| 2024 | 5 | 5 | 6 | 3 |
| 2024 | 6 | 5 | 10 | 2 |
| 2024 | 7 | 5 | 13 | 3 |
| 2024 | 8 | 3 | 7 | 2 |
| 2024 | 9 | 3 | 5 | 2 |
| 2024 | 10 | 3 | 6 | 1 |
| 2024 | 11 | 3 | 6 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 2 | 3 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 1 | 0 |
| 2025 | 11 | 0 | 0 | 0 |
| 2025 | 12 | 0 | 1 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
This is really two films - one good the other not so good. On the positive side: the production, the location and overall look of the movie is impressive. It can't have had much of a budget so the use made of local scenery, light and shade works well to create the working scenario for the rest of it ... . Now that, sadly, is the bit that lets it down. The story centres around the search for the daughter of the Empress who has been missing since her people were conquered by the "Lothos". That quest reunited two estranged brothers "Marco" (Hector Escudero Lobe) and "Silas" (Arturo Lizardi) but what doesn't really ensue now is much by way of action or adventure. It's a bit wordy (with some unnecessarily thick accents) with some rather ropey political intrigue, and at times the narrative jumps around the timeline just once to often to readily follow. It's really got the feel of a short story to it, and stretching it out for just shy of one hundred minutes proves just a bit too difficult for the assembled talent in front of and behind the camera. It is worth a watch for the ambience of the thing, but that's the height of it I'm afraid.