Popularity: 4 (history)
| Director: | Roland Joffé |
|---|---|
| Writer: | Ajey Jhankar, Roland Joffé |
| Staring: |
| The Lovers is an epic romance time travel adventure film. Helmed by Roland Joffé from a story by Ajey Jhankar, the film is a sweeping tale of an impossible love set against the backdrop of the first Anglo-Maratha war across two time periods and continents and centred around four characters — a British officer in 18th century colonial India, the Indian woman he falls deeply in love with, an American present-day marine biologist and his wife. | |
| Release Date: | Mar 13, 2015 |
|---|---|
| Director: | Roland Joffé |
| Writer: | Ajey Jhankar, Roland Joffé |
| Genres: | Adventure, Action, Science Fiction, Romance |
| Keywords | |
| Production Companies | Corsan, Bliss Media, Limelight International Media Entertainment, Neelmudra Entertainment, Aristos Films, Singularity Productions, Wildkite |
| Box Office |
Revenue: $0
Budget: $27,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Josh Hartnett | James Stewart / Jay Fennel |
| Simone Kessell | Clara Coldstream |
| Tamsin Egerton | Laura Fennel |
| Alice Englert | Dolly |
| Bipasha Basu | Tulaja Naik |
| Abhay Deol | Udaji |
| Tehmina Sunny | Sonubai |
| Shane Briant | Governor of Bombay |
| Steve Nicolson | York |
| Atul Kulkarni | Raoji |
| Roshan Seth | |
| Mahesh Jadu | The Assassin |
| Andrea Deck | Allie |
| James Mackay | Charles Stewart |
| Aegina De Vas | Jamnabai |
| Anna McNiven | Nurse Smith |
| Bryan Probets | Mostyn |
| Vijay Thombre | Desai |
| Name | Job |
|---|---|
| Ann Fay | Casting |
| Peter Rasmussen | Casting |
| Luciana Arrighi | Production Design |
| Ajey Jhankar | Story |
| John Scott | Editor |
| Brian Edmonds | Art Direction |
| Simon Giles | Visual Effects Supervisor |
| Kerry Thompson | Costume Supervisor |
| Daksha Sheth | Choreographer |
| Rakesh Kumar Rocky | Set Costumer |
| Brian Cox | Special Effects Supervisor |
| Rupert Simon | Key Hair Stylist |
| Terry Ryan | Costume Design |
| Jack Watford | Construction Coordinator |
| Leigh Pickford | Casting |
| Jocelyn Thomas | Art Department Coordinator |
| Maggie Rodford | Music Supervisor |
| Richard Conway | Special Effects Supervisor |
| Nick Wall | Still Photographer |
| Rosanna Mennear | Visual Effects Producer |
| Paul Pattison | Makeup Department Head |
| Robin Morrison | Music Editor |
| Forbes Noonan | Sound Re-Recording Mixer |
| Tom Nursey | Supervising Art Director |
| Diana Moseley | Costume Design |
| Sandeep Tyagi | First Assistant Camera |
| Ashfaq Ali | Set Costumer |
| Stefan Henrix | ADR & Dubbing, Supervising Sound Editor |
| Ian 'Thistle' Thorburn | Camera Operator |
| Ben Nott | Director of Photography |
| Sue Kenchington | Script Supervisor |
| Nathan Blanco Fouraux | Assistant Art Director |
| Robert Vassie | Visual Effects Coordinator |
| Andrew Glen | Music Editor |
| Samantha Walker | Set Costumer |
| Begoña Lopez | Digital Intermediate |
| Rosie Grant | Assistant Costume Designer |
| Cedric Van Mol | Still Photographer |
| Wade Krawczyk | Armorer |
| B. Durga Kishore | First Assistant Camera |
| Martin Jensen | Sound Re-Recording Mixer |
| Jake Lee | Digital Effects Supervisor |
| Tony Williams | Assistant Art Director |
| Matt Slattery | Gaffer |
| Anna Kovacevic | Costume Supervisor |
| Zeljka Stanin | Makeup Artist |
| Billy Harmer | Dolly Grip |
| David Tilburey | Electrician |
| Daren Bailey | Marine Coordinator |
| Andie Derrick | Foley |
| Beverley Dunn | Set Decoration |
| Michael Coulter | Director of Photography |
| James Shannon | Dolby Consultant |
| Atiet Rawat | Assistant Art Director |
| Marianne Jade | Casting |
| Alan Church | Visual Effects Producer |
| Yves Bertrand | First Assistant Editor |
| Allan Mowbray | Armorer |
| Simon Elsley | Assistant Art Director |
| Paul Round | Digital Effects Supervisor |
| Dave Marriott | Electrician |
| Phil Mulligan | Rigging Gaffer |
| Doug 'Brownie' Brown | Marine Coordinator |
| Grant Nielsen | Key Grip |
| Shaun O'Dell | Second Unit Director |
| Jack Longmate | Special Effects Technician |
| Roland Joffé | Writer, Director |
| Nitin Chandrakant Desai | Art Direction |
| Paul Ghirardani | Supervising Art Director |
| Uma Da Cunha | Casting |
| Justine Angus | ADR & Dubbing |
| Peter Burgis | Foley |
| Elliot Hawkes | Stunts |
| Name | Title |
|---|---|
| Paul Breuls | Producer |
| Dale G. Bradley | Producer |
| Grant Bradley | Producer |
| Guy J. Louthan | Producer |
| Catherine Vandeleene | Producer |
| Ajey Jhankar | Producer |
| Wei Han | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 13 | 23 | 7 |
| 2024 | 5 | 15 | 29 | 9 |
| 2024 | 6 | 14 | 22 | 7 |
| 2024 | 7 | 12 | 21 | 7 |
| 2024 | 8 | 9 | 16 | 6 |
| 2024 | 9 | 7 | 10 | 4 |
| 2024 | 10 | 8 | 17 | 3 |
| 2024 | 11 | 9 | 23 | 5 |
| 2024 | 12 | 8 | 14 | 5 |
| 2025 | 1 | 9 | 16 | 5 |
| 2025 | 2 | 7 | 13 | 2 |
| 2025 | 3 | 4 | 8 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 3 |
Trending Position
> Two women's efforts from two different timelines to save their loved one. It was in the pre-production for over a decade, before reshuffle and recasting happened with the existing one. It was supposed to be an Indo-Aussie joint production, but later the Belgium production company joined the pro ... ject. After the several hurdles it managed to get completed. It was an Anglo-Indian historical romance-drama, during the British raj in India about betrayal, coup, revenge and a journey movie. Also simultaneously set in the modern world focusing an archaeological couple who discovers a lost ancient Indian jewel in a shipwreck. From there the story gets a perfect beginning, later moves back to India. I don't understand what's with the Chinese music where the actual story take place in the 18th century India. It was so good and blends well, but that does define India or Indian culture while narrating its story. If you are not familiar with both Chinese and Indian musics, then it's not an issue at all. But that does not it, the names are Hindu and Indian soldiers with the Persian costumes, swords and other gadgets. How the name 'Dragon's Throat' came to Indian geographical area and surname for the Indian characters in a wrong princely state. Like that, many stuffs make no sense, especially if you are from that part of the Earth. I think the research was very poor for making this movie. They should have hired an Indian musician and costume designer with an historian. > "Love has many faces, > and one of them is jealousy." The quality was top notch, the cast and their performances were excellent. But I could not stand for Bipasha Basu's facial expressions. She was always been in a sad face look, so depressing. That is the way her character was developed, so nothing wrong in her display. It was her international debut flick as well, and the launch was so disappointing. Because the story was very weak, maybe very silly. I have never seen the narration set in the ancient India other than in the Indian films. Quite amazing locations, and convinced with the visuals that how the 1700s' subcontinent would have looked like. The major problem with this flick is that people can't get ending. How the time barrier was broken to pass through another timeline was never explained. The Hindu priest/saint/sadhu who blabbers about the space and time was a ridiculous than intellectual briefing. So this film owes lots of explanation to the viewers than entertaining them. I want to favour it, but I also want to be honest. The film was not like I was hoping for, very excited for the merge of historical subject with sci-fi, but did not stand tall. Thankfully, either it was not a bad movie of the year, I've seen even worse that I felt not to review. I won't recommend it, but there's a slim chance that you might like it, so choose it carefully. 5/10