Popularity: 35 (history)
| Director: | Brian Kirk |
|---|---|
| Writer: | Nicholas Jacobson-Larson, Dalton Leeb |
| Staring: |
| A widowed fisherwoman, travelling alone through snowbound northern Minnesota, interrupts the kidnapping of a teenage girl. Hours from the nearest town and with no phone service, she realizes that she is the young girl's only hope. | |
| Release Date: | Sep 23, 2025 |
|---|---|
| Director: | Brian Kirk |
| Writer: | Nicholas Jacobson-Larson, Dalton Leeb |
| Genres: | Thriller |
| Keywords | minnesota, kidnapping, cabin, fisherman, snow, kurdistan, hard, frozen lake, fisherwoman, bitter, admiring, antagonistic, snow storm |
| Production Companies | ZDF, Augenschein Filmproduktion, Stampede Ventures, Leonine Studios |
| Box Office |
Revenue: $1,030,111
Budget: $0 |
| Updates |
Updated: Nov 18, 2025 Entered: Sep 28, 2025 |
| Name | Character |
|---|---|
| Emma Thompson | Barb |
| Judy Greer | Purple Lady |
| Marc Menchaca | Camo Jacket |
| Laurel Marsden | Leah |
| Gaia Wise | Young Barb |
| Cúán Hosty-Blaney | Young Karl |
| Paul Hamilton | Old Karl |
| Dalton Leeb | Younger Hunter |
| Lloyd Hutchinson | Lawyer |
| Brían F. O'Byrne | Tall Hunter |
| Name | Job |
|---|---|
| Nicholas Jacobson-Larson | Writer |
| Christopher Ross | Director of Photography |
| Volker Bertelmann | Original Music Composer |
| Juri Stanossek | Visual Effects Supervisor |
| Nick Thomas | First Assistant Director |
| Dalton Leeb | Writer |
| Tim Murrell | Editor |
| Pia Röbke | VFX Editor |
| Natalie Humphries | Costume Design |
| Brian Kirk | Director |
| Alexandra Stautmeister | Visual Effects Producer |
| John Papsidera | Casting |
| Florian Kronenberger | Gaffer |
| David Hindle | Production Design |
| Simon B. Stein | Line Producer |
| Holger Härtl | Line Producer |
| Marc-André Gerke | Unit Production Manager |
| Daniel Texter | First Assistant Director |
| Andra Barbuica | Script Supervisor |
| Heiko Schmidt | Hair Designer, Makeup Designer |
| Teresa Henn | Stunt Coordinator |
| Corinna Fleig | Sound Designer |
| Tobias Fleig | Sound Re-Recording Mixer |
| Sarah Beth Moylan | Second Assistant Director |
| Steffen Schweizer | Second Second Assistant Director |
| Ilana Garrard | Camera Operator, Steadicam Operator |
| Matti Poutanen | First Assistant "A" Camera |
| Machio Lall | First Assistant "A" Camera |
| Caspar Müllers | First Assistant "B" Camera |
| Katja Nantke | Second Assistant "B" Camera |
| Michael Paulis | Digital Imaging Technician |
| Sascha Görlich | Best Boy Grip |
| Joonas Jyrälä | Sound Mixer |
| Samuel Jaeger | Supervising Art Director |
| Jill Mangels | Assistant Art Director |
| Christiane Krumwiede | Standby Art Director |
| Stephen Forrest-Smith | Storyboard Artist |
| Christin Busse | Set Decoration |
| Anna Zaniewicz | Assistant Set Decoration |
| Christian Schanzenbach | Set Decoration Buyer |
| Falk Wenzel | Set Dresser |
| Name | Title |
|---|---|
| Chris Bosco | Executive Producer |
| Jonathan Saubach | Executive Producer |
| Michael J. Rothstein | Executive Producer |
| Maximilian Leo | Producer |
| Gideon Yu | Executive Producer |
| Oana Iancu | Executive Producer |
| Samuel Hall | Executive Producer |
| Jon Berg | Producer |
| Emma Thompson | Executive Producer |
| Elizabeth A. Bell | Executive Producer |
| Klaus Dohle | Executive Producer |
| Greg Silverman | Producer |
| Jonas Katzenstein | Producer |
| Max Wiedemann | Co-Producer |
| Quirin Berg | Co-Producer |
| Max Conradt | Co-Producer |
| Cosima von Spreti | Co-Producer |
| Tale Heydarov | Executive Producer |
| Nijat Heydarov | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 6 | 1 |
| 2024 | 5 | 4 | 10 | 1 |
| 2024 | 6 | 3 | 13 | 0 |
| 2024 | 7 | 2 | 6 | 0 |
| 2024 | 8 | 2 | 4 | 0 |
| 2024 | 9 | 1 | 2 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 1 | 3 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 4 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 4 | 11 | 0 |
| 2025 | 9 | 9 | 12 | 4 |
| 2025 | 10 | 24 | 46 | 8 |
| 2025 | 11 | 13 | 35 | 7 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 61 | 219 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 3 | 257 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 76 | 224 |
With the ice on a remote Minnesota lake thick enough to need a saw to cut through it, “Barb” (Dame Emma Thompson) heads, replete with her handy little heated hut, to do some fishing. Her solitude is disturbed by a young woman who is forcibly returned to a nearby house, and upon some sleuthing she di ... scovers that not only has she been kidnapped, but that her captor (Marc Manchaca) and his even more desperate wife (Judy Greer) have a dastardly plan for her that it’s going to fall to this ill-equipped woman to thwart. There are no phones and they are both armed, dangerous and soon aware of her presence. Can she stay one step ahead of them, rescue the girl, get to the bottom of their malevolent intent and fulfil her own purpose for being here at this inhospitable time of year? The cinematography of this bleak and chilly wilderness is gorgeous to look at and there is something quite original from a plot that maybe doesn’t go into too much detail, but that provides an interesting vehicle for a star who quite literally has a drip on the end of her nose as the snow gradually takes on a more menacing hue. There isn’t a great deal of dialogue to worry about, just some chilly photography and a sinister plot that I felt definitely at the better end of the genre from 2025.