 
  Popularity: 5 (history)
| Director: | Martin Campbell | 
|---|---|
| Writer: | Mark Kasdan | 
| Staring: | 
| Ben Chase is an on-the-rise Boston attorney currently defending a wealthy client in a high-profile murder case. Martin Thiel is the wealthy young man on trial for a particularly brutal murder. The verdict sets Thiel free. Within 24 hours another grizzly and all-too-familiar murder has taken place with striking similarities to the first crime. Chase inexplicably agrees to act as his defense attorney; but this time it will be to gather evidence that will put away his client for good. | |
| Release Date: | Apr 28, 1989 | 
|---|---|
| Director: | Martin Campbell | 
| Writer: | Mark Kasdan | 
| Genres: | Drama, Romance, Thriller | 
| Keywords | |
| Production Companies | Hemdale Film Corporation, Northwood Productions | 
| Box Office | Revenue: $9,974,446 Budget: $5,000,000 | 
| Updates | Updated: Aug 10, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Gary Oldman | Ben Chase | 
| Kevin Bacon | Martin Thiel | 
| Tess Harper | Detective Stillwell | 
| Karen Young | Ellen Faulkner | 
| Joe Don Baker | Detective Mesel | 
| Sean McCann | Jacob Fischer | 
| Ron Lea | Gary Hull | 
| Michael Sinelnikoff | Professor Clemens | 
| Karen Woolridge | Claudia Curwen | 
| Ali Giron | Isabel Fuertes | 
| Rob Roy | Ethan Parks | 
| Terrence Labrosse | Judge | 
| Barbara Jones | Sandra Massina | 
| Jeannie Walker | Mrs. Monroe | 
| Tyrone Benskin | Jackson | 
| Johnny Cuthbert | Hal Keeler | 
| Claire Rodger | Thiel Nurse | 
| Rebecca Hall | Grade Teacher | 
| Tracy Ray | Janet | 
| Bill Haughland | Newscaster | 
| Howard Schwartz | Newscaster | 
| Mitzumi Takahashi | Newscaster | 
| Carolyn Davine | Law Secretary | 
| Ilana Linden | Frowning Woman | 
| Andrew Johnston | Cop Tony | 
| Anna MacCormack | Clinic Receptionist | 
| Irene Kessler | Librarian Peggy | 
| James Rae | Reporter | 
| David Gow | Reporter | 
| Susan Glover | Reporter | 
| Richard Jutras | Reporter | 
| Aidan Devine | Reporter | 
| Robert Parson | Reporter | 
| Sam Le Marquand | Reporter | 
| Lois Dellar | Reporter | 
| Linda Rona | Reporter | 
| Mike Bucci | Reporter | 
| Elizabeth Shepherd | Dr. Thiel | 
| Name | Job | 
|---|---|
| Jerry Goldsmith | Original Music Composer | 
| Mike Fenton | Casting | 
| Alison Reid | Stunts | 
| Martin Campbell | Director | 
| Phil Meheux | Director of Photography | 
| Shelley Cook | Stunts | 
| Michael Devine | Art Direction | 
| Jane Feinberg | Casting | 
| Dennis Chapman | Production Manager | 
| Ron Mezey | Third Assistant Director | 
| Serge Morache | Hairstylist | 
| Gordon J. Smith | Special Effects Makeup Artist | 
| Tony Tromp | Assistant Editor | 
| Peter Dansie | Foley Editor | 
| Curtis A. Schnell | Production Design | 
| Tim Monich | Dialogue Coach | 
| Mark Kasdan | Writer | 
| Chris Wimble | Editor | 
| Carole Dubuc | Second Assistant Director | 
| Joanne T. Harwood | Script Supervisor | 
| Debra Fleming | Hair Assistant | 
| Nicole Lapierre | Assistant Makeup Artist | 
| Liz Webber | First Assistant Editor | 
| Penny Woolley | Assistant Sound Editor | 
| Kenneth Hall | Music Editor | 
| Jacques Godbout | Special Effects Coordinator | 
| David Hood | First Assistant Director | 
| Lynda Gordon | Casting | 
| Tommy Groszman | First Assistant Director | 
| Kathy Wolf | Production Coordinator | 
| David Robin | Hair Assistant | 
| Lucille Demers | Assistant Makeup Artist | 
| Randy D. Thornton | Post Production Supervisor | 
| Ian Fuller | Sound Editor | 
| Peter Bond | Dialogue Editor | 
| Marco Bianco | Stunt Coordinator | 
| Jocelyne Bellemare | Makeup Artist | 
| Name | Title | 
|---|---|
| Ken Gord | Co-Producer | 
| Hilary Dwyer | Producer | 
| Robert K. MacLean | Producer | 
| Derek Gibson | Executive Producer | 
| John Daly | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 14 | 22 | 9 | 
| 2024 | 5 | 15 | 19 | 9 | 
| 2024 | 6 | 15 | 41 | 7 | 
| 2024 | 7 | 14 | 19 | 10 | 
| 2024 | 8 | 13 | 26 | 7 | 
| 2024 | 9 | 8 | 12 | 6 | 
| 2024 | 10 | 10 | 23 | 6 | 
| 2024 | 11 | 10 | 20 | 6 | 
| 2024 | 12 | 9 | 16 | 4 | 
| 2025 | 1 | 10 | 18 | 6 | 
| 2025 | 2 | 7 | 18 | 3 | 
| 2025 | 3 | 4 | 8 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 4 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 3 | 6 | 2 | 
Trending Position
Boston based neo-noir fails to ignite. Criminal Law is directed by Martin Campbell and written by Mark Kasdan. It stars Gary Oldman, Kevin Bacon, Tess Harper, Karen Young and Joe Don Baker. Music is by Jerry Goldsmith and cinematography by Philip Meheux. Boston attorney Ben Chase (Oldman) succ ... essfully defends Martin Thiel (Bacon) who is on trial for a sexually aggravated murder. But not long after Chase comes to realise Thiel's guilt and sets about correcting the wrong he helped orchestrate. If you have never seen a legal thriller before, or a serial killer based neo-noir for that matter, then Criminal Law might just poke its head above average waters. Unfortunately the well is quite full of such filmic exercises, and much better they are too! It's all so formulaic, where the potent promise of character disintegration into a hellish noir infused world is never fully realised. Instead we get characters whose actions are at times baffling, others who are under used or pointless scene fillers, and a screenplay cracking under the strain of a near two hour run time. Add in some poor accents for the setting, one of Goldsmith's worst scores and a damp squib finale, well you are struggling continually to get on board with it all. There's a high energy sex scene where the makers are clearly showing what their intentions were, in how stuck in a web of turmoil Chase is, but it just proves how muddled and rickety the narrative is. Positives come in the form of the visual look of the piece, Meheux (GoldenEye/Casino Royale) showing some nice stylish touches, most notably a dark underground set of scenes where slatted shadows operate as the noir staple of a character psychologically imprisoned, but these moments are fleeting and the story begs for more. Elsewhere, the killer's motives are at least interesting, adding in a controversial moral poser, and Elizabeth Shepherd as Thiel's mother is superbly cold and detached (pic needed more of her). But ultimately it's a disappointing film and not recommended as a must see. 5/10