Popularity: 1 (history)
Director: | Nicholas Ray |
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Writer: | Nicholas Ray, Gavin Lambert, René Hardy |
Staring: |
During the second world war, two British officers, Brand and Leith, who have never seen combat, are assigned a vital mission. Their relationship and the operation are complicated by the arrival of Brand's wife, who had a tryst with Leith years earlier. | |
Release Date: | Aug 28, 1957 |
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Director: | Nicholas Ray |
Writer: | Nicholas Ray, Gavin Lambert, René Hardy |
Genres: | Drama, War |
Keywords | world war ii, libya, commander, raid, desert, rommel, benghazi |
Production Companies | Columbia Pictures, Transcontinental Films, Robert Laffont Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 09, 2025 Entered: Apr 15, 2024 |
Name | Character |
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Richard Burton | Capt. Leith |
Curd Jürgens | Major David Brand |
Ruth Roman | Jane Brand |
Christopher Lee | Sgt. Barney |
Raymond Pellegrin | Mekrane |
Anthony Bushell | General Paterson |
Alfred Burke | Lt. Colonel Callander |
Ramón de Larrocha | Lieutenant Sanders |
Ronan O'Casey | Sergeant Dunnigan |
Fred Matter | Oberst Lutze |
Raoul Delfosse | Lieutenant Kassel |
Andrew Crawford | Private Roberts |
Nigel Green | Private Wilkins |
Harry Landis | Private Browning |
Christian Melsen | Private Abbot |
Sumner Williams | Private Anderson |
Joé Davray | Private Spicer |
Sean Kelly | Lieutenant Barton |
Name | Job |
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Nicholas Ray | Director, Screenplay |
Gavin Lambert | Screenplay |
Édouard Luntz | Assistant Director |
Mario Del Papa | Production Manager |
René Hardy | Novel, Screenplay |
Giorgio Riganti | Production Manager |
Paul Joly | Production Manager |
Michel Kelber | Director of Photography |
Léonide Azar | Editor |
Christian Ferry | Assistant Director |
Maurice Le Roux | Original Music Composer |
René Daudin | Makeup Artist |
Jean d'Eaubonne | Art Direction, Production Design |
Name | Title |
---|---|
Robert Laffont | Executive Producer |
Paul Graetz | Producer |
Janine Graetz | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 9 | 18 | 5 |
2024 | 5 | 10 | 21 | 4 |
2024 | 6 | 9 | 24 | 4 |
2024 | 7 | 9 | 14 | 4 |
2024 | 8 | 7 | 10 | 5 |
2024 | 9 | 7 | 14 | 3 |
2024 | 10 | 6 | 13 | 2 |
2024 | 11 | 7 | 16 | 3 |
2024 | 12 | 5 | 12 | 2 |
2025 | 1 | 6 | 13 | 3 |
2025 | 2 | 4 | 6 | 1 |
2025 | 3 | 3 | 6 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
Deconstructing Machismo. Bitter Victory is directed by Nicholas Ray and adapted to screenplay from the novel of the same name written by Rene Hardy. It stars Richard Burton, Curd Jurgens, Ruth Roman, Raymond Pellegrin, Christopher Lee and Nigel Green. Music is by Maurice Leroux and cinematog ... raphy by Michel Kelber. It’s a film that has proved most divisive over the years, where some have seen fit to devote in depth studies to it, others have bitingly dismissed it as a stretch to far in pretentious posturing. Personally I found it rather dull, a dreary trudge through the World War II deserts as Burton and Jurgens butt heads because Burton’s character had an affair with Jurgens’ wife (Roman). The pace is purposely sedate, except for the battle sequence that is, so we are left to rely on the skills of the writers and actors to carry us through to film’s end. Burton is good value, he almost always was when he got to brood and pontificate, while Green is his usual irrepressible self. Jurgens, however, is miscast and very uncomfortable with the moody machinations of his character. While the editing is at times awful and a couple of scenes don’t really make sense. Undeniably there is some potency bubbling away in the writing, the deconstruction of machismo and military cynicism angles carry thematic weight, but the film is structured in such a cocksure way it just comes off as being preachy instead of taking full advantage of the emotional core of the characters as written by Hardy. Just because I don’t like the film doesn’t mean it’s bad, as previously stated, many find it fascinating and powerful, but it’s not for me and I feel it’s one of the great Nicholas Ray’s lesser works. 4/10