The Threesome
It was supposed to be fun.
2025 | 112m | English
Popularity: 3 (history)
| Director: | Chad Hartigan |
|---|---|
| Writer: | Ethan Ogilby |
| Staring: |
| Connor and his long-time crush Olivia engage in a threesome with a sweet, alluring stranger named Jenny. This encounter sparks a relationship between Connor and Olivia, leading them to plan a life together. However, their romance faces challenges when Jenny reappears, thrusting all three into a difficult journey toward true accountability and adulthood. | |
| Release Date: | Sep 04, 2025 |
|---|---|
| Director: | Chad Hartigan |
| Writer: | Ethan Ogilby |
| Genres: | Comedy, Drama, Romance |
| Keywords | babysitter, pregnancy, arkansas, wedding, gay marriage, threesome |
| Production Companies | Star Thrower Entertainment, Filmopoly, Jupiter Peak Productions |
| Box Office |
Revenue: $590,632
Budget: $0 |
| Updates |
Updated: Oct 30, 2025 Entered: Feb 15, 2025 |
| Name | Character |
|---|---|
| Zoey Deutch | Olivia Capitano |
| Jonah Hauer-King | Connor |
| Ruby Cruz | Jenny |
| Jaboukie Young-White | Greg |
| Josh Segarra | Kevin |
| Robert Longstreet | Paul |
| Arden Myrin | Evelyn |
| Kristin Slaysman | Maya |
| Allan McLeod | Roger |
| Julia Sweeney | Suzanne |
| Tommy Do | Matthew |
| Name | Job |
|---|---|
| Rob Lowry | Music Supervisor |
| Shelley D. Needham | Line Producer |
| Jun Li | Second Unit Director of Photography, Camera Operator |
| Dustye Helms | Hair Department Head |
| Hannah Whitney | Second Assistant Director |
| Sing Howe Yam | Director of Photography |
| Keegan DeWitt | Original Music Composer |
| Chad Hartigan | Director |
| Vanessa Moates | Makeup Department Head |
| Marisol Roncali | Casting |
| Cloé Skodnek | Art Direction |
| Clarisa Garcia-Fresco | Production Design |
| Autumn Dea | Editor |
| Ian Campbell | First Assistant Director |
| Michael Amman | Sound Mixer |
| Tom Ryan | Sound Designer, Supervising Sound Editor, Sound Re-Recording Mixer |
| Neiagha Thomas | Second Second Assistant Director |
| Frank Blake | Stunt Coordinator |
| Helen Reicks | Set Decoration |
| Alex Loew | Sound Effects Editor |
| Ruslan Shebystyi | Foley Artist |
| Andrii Starykovskyi | Foley Mixer |
| Sebastian Pardo | Title Designer |
| Emily Batson | Costume Design |
| Ethan Ogilby | Writer |
| Chelsea Ellis Bloch | Casting |
| Name | Title |
|---|---|
| Vince Jolivette | Producer |
| David Garrett | Executive Producer |
| Tim White | Producer |
| Richie Hill | Co-Producer |
| Chad Hartigan | Executive Producer |
| Trevor White | Producer |
| Steve Shapiro | Producer |
| Ken Whitney | Executive Producer |
| Angie Sanfilippo | Executive Producer |
| Liz Whitney | Executive Producer |
| Zoey Deutch | Executive Producer |
| Allan Mandelbaum | Executive Producer |
| Rick Rickertsen | Co-Producer |
| Mary Solomon | Co-Producer |
| Laena Carroll | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 10 | 1 |
| 2024 | 5 | 5 | 9 | 2 |
| 2024 | 6 | 4 | 9 | 2 |
| 2024 | 7 | 2 | 5 | 1 |
| 2024 | 8 | 2 | 5 | 0 |
| 2024 | 9 | 1 | 3 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 3 | 8 | 1 |
| 2025 | 2 | 4 | 7 | 2 |
| 2025 | 3 | 8 | 27 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 3 | 1 |
| 2025 | 9 | 4 | 6 | 1 |
| 2025 | 10 | 7 | 12 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 28 | 383 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 163 | 482 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 567 | 821 |
FULL SPOILER-FREE REVIEW @ movieswetextedabout.com/the-threesome-movie-review-when-ambition-gets-lost-in-melodrama/ "The Threesome is a victim of its own ambition. The story, which begins by intelligently questioning social conventions and the nature of relationships, gets lost in narrative de ... vices and an unequal treatment of its protagonists. Despite Zoey Deutch's visible efforts to give her character depth, the lack of the same type of personal development for Ruby Cruz and Jonah Hauer-King ends up unbalancing the scale. There's a deep and honest analysis of love, family, and responsibility spread throughout the film's various narrative threads, but ultimately, it becomes an occasionally frustrating melodrama, leaving the feeling that a great opportunity was wasted." Rating: C